David Attenborough, Dion Leonard (Finding Gobi), Dervla Murphy and Brian Jackman are just four of the authors whose work features in this new anthology from Bradt focusing on true stories about travelling with animals. In Beastly Journeys, there are 46 tales of extraordinary animal travel experiences, from hilarious holidays with pets to journeys on which wild animals somehow came along for the ride, including: David Attenborough tries to get an armadillo through Paraguayan customs; adventurer Ash Dykes takes a white cockerel to Maromokotro to ward off evil spirits; Mike Gerrard shares a car journey from Belsize Park to Canvey Island with a python; Brian Jackman rides, walks and swims with Abu the elephant; Bradt New Travel Writer of the Year Dom Tulett rows with a kingfisher; and John Rendall travels to Africa with Christian, the lion he bought at Harrods and raised in west London. Also included is a brand new piece of writing from ultramarathon runner Dion Leonard about his experience with Gobi, the stray dog who accompanied him for 80 miles over the treacherous Tian Shian mountains. A mix of new, previously unpublished writers and old favourites are included, with extracts from writers such as Mark Shand (Travels on my Elephant), Dervla Murphy (Eight Feet in the Andes) and Robert Louis Stevenson (Travels with a Donkey), not to mention Gerald Durrell, 19th-century explorer Isabella Bird and renowned publisher Michael Joseph. Compelling, engaging, surprising, humorous and entertaining. if this book proves one thing it's that travel with animals is every bit as unpredictable as you would expect it to be.
Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel social, spatial, temporal, mythical and psychological keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de si?cle and in metaphors of travel, animals and shape-changing.
Whether you want to be the next Bill Bryson, set up a brilliant blog or simply make the best of your travel journal, this book will lead you along the travel writer’s way. The Travel Writer’s Way takes a ground-breaking approach to the craft of travel writing, with a 12-step programme of ‘creative journeys’ specially tailored to develop your writing skills. Whether you want to write for pleasure or for publication, for friends or for the wider world, you’ll find this book as inspiring as it is useful. It also contains invaluable advice from a galaxy of the finest travel writers, editors and bloggers, the first guide to gather insights from so many acclaimed experts. Paul Theroux, William Dalrymple, Colin Thubron, Geoff Dyer, Pico Iyer, Levison Wood, Dervla Murphy, Chris Stewart, Sara Wheeler and Simon Calder all share their top tips. Furthermore, there is practical information on establishing your blog, writing your book and submitting your articles to travel editors. Jonathan Lorie has more than 20 years’ experience as travel writer, travel-magazine editor and travel-writing tutor. His is the ultimate guide for those who want to turn their travels into stories. - Advice from 40 of the world’s top travel-writing experts - Practical, 12-step programme to improve your writing - How to publish and market your work as blogs, books or articles
Franz Kafka first met Felice Bauer in August 1912, at the home of his friend Max Brod. The twenty-five-year-old career woman from Berlin—energetic, down-to-earth, life-affirming—awakened in him a desire to marry. Kafka wrote to Felice almost daily, sometimes even twice a day. Because he was living in Prague and she in Berlin, their letters became their sole source of knowledge of each other. But soon after their engagement in 1914, Kafka began having doubts about the relationship, fearing that marriage would imperil his dedication to writing and interfere with his need for solitude. Through their break-up, a second engagement in 1917, and their final parting later that year, when Kafka began falling ill with the tuberculosis that would eventually claim his life, their correspondence continued. The more than five hundred letters that Kafka wrote to Felice over the course of those five years were acquired by Schocken from her in 1955. They reveal the full measure of Kafka's inner turmoil as he tried, in vain, to balance his need for stability with the demands of his craft. "These letters are indispensable for anyone seeking a more intimate knowledge of Kafka and his fragmented world." —Library Journal
Volume One of these remarkable letters and diaries opens with a letter from Britten aged nine to his formidable mother, Edith. Music is already at the centre of his life, and it accompanies him through prep and public school and then to London to the Royal College of Music, where the phenomenally gifted but inexperienced young composer is plunged into metropolitan life and makes influential new friends, among them W. H. Auden and Christopher Isherwood. This was a time of prodigious musical creativity, a growing awareness of his sexuality, and the dawning of his political convictions. Most importantly, during this period Britten met Peter Pears and established the musical and personal relationship that was to last a lifetime. Volume One comes to a close in May 1939, when Britten, accompanied by Pears, departs for North America. The letters and diaries in this illuminating first volume and its successor are supplemented by the editors' detailed commentary and by exhaustive contemporary documentation. Together they constitute a comprehensive portrait not only of the composer but of an age.
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346