Aurora Leigh (1856), Elizabeth Barrett Browning's epic novel in blank verse, tells the story of the making of a woman poet, exploring 'the woman question', art and its relation to politics and social oppression. The texts in this selection are based in the main on the earliest printed versions of the poems. What Edgar Allan Poe called 'her wild and magnificent genius' is abundantly in evidence. In addition to Aurora Leigh, this volume contains poetry from the several volumes of Elizabeth Barrett Browning's published poetry from 1826 to 1862, including Casa Guidi Windows (1851), Songs for the Ragged Schools of London (1854) and the British Library manuscript text of the 'Sonnets from the Portuguese' (1846) which records her courtship with Robert Browning.
Elizabeth Barrett Browning : Study Notes for Advanced English : Module A 2009-2012 HSC
Author: Maree Jones
Category: Higher School Certificate Examination (N.S.W.)
"This series has been created to assist HSC students of English in their understanding of set texts. Top Notes are easy to read, providing analysis of issues and discussion of important ideas contained in the texts. Particular care has been taken to ensure that students are able to examine each text in the content of the module it has been allocated to."--Back cover.
Tradition and how far writers fit into or diverge from the demands of tradition is one of the most debated issues in literary discussion. Gender, however, is not often part of discussions which depend on such questions at the decisiveness of the Modernist break with the Victorian period or whether Postmodernism makes tradition meaningless. By contrast the very existence of a specifically female tradition is still an urgent subject of debate, and it is clear that many nineteenth-century women writers were troubled in their search for literary foremothers. This autobiographical impetus can be located in the work of each of the poets discussed in Tradition and the Poetics of Self Nineteenth-Century Women's Poetry: Elizabeth Barrett Browning, Caroline Bowles Southey, Emily Dickinson and Christina Rossetti. An exploration of the self, either in the abstract or in a more closely personal sense, appears in a concern with the craft of poetry and the role of the poet, in a teasing out of language as a marker of a personal encounter with the world, in an adventurous play with genre and a rewriting of myth, and in a bold confrontation with received notions of a woman's place. Adventurousness marks the work of each of these poets and is a central focus of these essays.
A comprehensive selection of the work of the eighteenth-century poet Elizabeth Barrett-Browning, this edition includes the full text of some of Barrett Browning's most celebrated works as well as generous selections from her lesser-known works, her diary, and family letters.