Aurora Leigh and Other Poems

Author: Elizabeth Browning

Publisher: Penguin UK

ISBN:

Category: Poetry

Page: 544

View: 525

Aurora Leigh (1856), Elizabeth Barrett Browning's epic novel in blank verse, tells the story of the making of a woman poet, exploring 'the woman question', art and its relation to politics and social oppression. The texts in this selection are based in the main on the earliest printed versions of the poems. What Edgar Allan Poe called 'her wild and magnificent genius' is abundantly in evidence. In addition to Aurora Leigh, this volume contains poetry from the several volumes of Elizabeth Barrett Browning's published poetry from 1826 to 1862, including Casa Guidi Windows (1851), Songs for the Ragged Schools of London (1854) and the British Library manuscript text of the 'Sonnets from the Portuguese' (1846) which records her courtship with Robert Browning.

Aurora Leigh, and other poems

Author: Elizabeth Barrett Browning

Publisher: Women's Press

ISBN:

Category: Fiction

Page: 416

View: 960

This is a reissue of Browning's novel in verse that describes Aurora's successful rebellion against Victorian convention, and her right to pursue a career as a writer and be in love.

Aurora Leigh, and other poems

Author: Elizabeth Barrett Browning

Publisher: Women's Press

ISBN:

Category: Fiction

Page: 416

View: 262

This is a reissue of Browning's novel in verse that describes Aurora's successful rebellion against Victorian convention, and her right to pursue a career as a writer and be in love.

F Scott Fitzgerald's The Great Gatsby and Aurora Leigh and Other Poems

Elizabeth Barrett Browning : Study Notes for Advanced English : Module A 2009-2012 HSC

Author: Maree Jones

Publisher:

ISBN:

Category: Higher School Certificate Examination (N.S.W.)

Page: 170

View: 621

"This series has been created to assist HSC students of English in their understanding of set texts. Top Notes are easy to read, providing analysis of issues and discussion of important ideas contained in the texts. Particular care has been taken to ensure that students are able to examine each text in the content of the module it has been allocated to."--Back cover.

Tradition and the Poetics of Self in Nineteenth-century Women's Poetry

Author: Barbara Garlick

Publisher: Rodopi

ISBN:

Category: Literary Criticism

Page: 199

View: 224

Tradition and how far writers fit into or diverge from the demands of tradition is one of the most debated issues in literary discussion. Gender, however, is not often part of discussions which depend on such questions at the decisiveness of the Modernist break with the Victorian period or whether Postmodernism makes tradition meaningless. By contrast the very existence of a specifically female tradition is still an urgent subject of debate, and it is clear that many nineteenth-century women writers were troubled in their search for literary foremothers. This autobiographical impetus can be located in the work of each of the poets discussed in Tradition and the Poetics of Self Nineteenth-Century Women's Poetry: Elizabeth Barrett Browning, Caroline Bowles Southey, Emily Dickinson and Christina Rossetti. An exploration of the self, either in the abstract or in a more closely personal sense, appears in a concern with the craft of poetry and the role of the poet, in a teasing out of language as a marker of a personal encounter with the world, in an adventurous play with genre and a rewriting of myth, and in a bold confrontation with received notions of a woman's place. Adventurousness marks the work of each of these poets and is a central focus of these essays.

Elizabeth Barrett Browning's 'Aurora Leigh'

Author: Michele C Martinez

Publisher: Edinburgh University Press

ISBN:

Category: Literary Criticism

Page: 192

View: 400

Elizabeth Barrett-Browning's ambitious and challenging epic, 'Aurora Leigh' is illuminated for twenty-first century readers by Michele C. Martinez's Reading Guide. A clear commentary on core sections of the poem, as well as a range of interpretative frame

The Seraphim, and Other Poems, by E.B. Barrett

Author: Elizabeth Barrett Browning

Publisher: Palala Press

ISBN:

Category: History

Page: 390

View: 739

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Oxford Handbook of Victorian Poetry

Author: Matthew Bevis

Publisher: OUP Oxford

ISBN:

Category: Literary Criticism

Page: 908

View: 340

'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements—'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication—provocative, seminal volume that will offer a lasting contribution to future studies in the area.