The three spunky ladies who so charmed readers in The Ladies of Convington Send Their Love and The Gardens of Covington welcome us back to the small Southern town of Covington, to their quaint white farmhouse with yellow shutters on Cove Road. Life lessons abound throughout From the Heart of Covington, as housemates Hannah, Grace, and Amelia continue to surround themselves with love and hope, meeting each new challenge with equanimity and heart and placing their trust in one another as their friendship strengthens and grows. In helping a dear friend and neighbor cope with illness, the ladies develop a deeper mutual compassion and a true appreciation for the softness of heart and toughness of spirit that join them as women. Amelia, feeling strong and adventurous, takes a momentous trip to New York City to further her burgeoning photography career. Grace, kindhearted as ever, becomes involved with a little girl at the local elementary school who may be having terrible problems at home. Meanwhile, Hannah's daughter, Laura, is involved in a tragic accident that has serious consequences for all concerned. With the same compassion and heart readers have already come to know and love, Joan Medlicott once again reveals how life's journeys and challenges only strengthen our loving commitments to family, friends, and loved ones. It's another inspiring message of courage, self-acceptance, and hope.
The conflict between scientific observation and poetry, reflections on abolition, transcendental philosophy, other concerns are explored in this superb general selection from Thoreau's voluminous Journal.
"The Benevolent American in the Heart of Darkness" is a trilogy of Albert Russos award-winning African novels set in the former Belgian Congo and Rwanda-Urundi. In The Black Ancestor, the reader will find, as in the two other novels, Eclipse over Lake Tanganyika and Mixed Blood or your son Lopold, many poignant and delightful passages, especially in the journeys across the magnificent Kivu province, which today, along with bordering Rwanda and Burundi, has been scarred by fratricidal wars. That Leodine, in the opening novel, happens to be an adolescent, as was Leopold in Mixed Blood, isnt fortuitous, for it is at that vulnerable period of ones life that ones personality takes form. In Albert Russos Africa you will find humankinds infinite diversity and, amid such richness, a quest for the deep self. Eric Tessier. Albert Russo has recreated through a young African boys joys and struggles many of the tensions of modern life, straight and gay, black and white, third world and first ... all of these tensions underlie this story of a biracial child adopted by a benevolent American. Mixed Blood or Your son Leopold is a non-stop, gripping read!" Edmund White.
Considers the Arabic novel within the triangle of the nation-state, modernity and tradition.The novel is now a major genre in the Arabic literary field; this book explores the development of the novel, especially the ways in which the genre engages with a
Caren Irr's survey of more than 125 novels outlines the dramatic resurgence of the American political novel in the twenty-first century. She explores the writings of Chris Abani, Susan Choi, Edwidge Danticat, Junot Díaz, Dave Eggers, Jeffrey Eugenides, Aleksandar Hemon, Hari Kunzru, Dinaw Mengestu, Norman Rush, Gary Shteyngart, and others as they rethink stories of migration, the Peace Corps, nationalism and neoliberalism, revolution, and the expatriate experience. Taken together, these innovations define a new literary form: the geopolitical novel. More cosmopolitan and socially critical than domestic realism, the geopolitical novel provides new ways of understanding crucial political concepts to meet the needs of a new century.
The TESS series continues with Admiral Bear McMoran continuing to fend off people and organizations bent on destroying the fledgling Terran Exploratory Space Service he founded with his teammates. His former Q-Kink team are now wrestling to control the burgeoning structure of a true space organization capable of moving mankind further and further off planet. McMoran along with Admirals Wong and O'Hara are discovering that doing so means dangers from larger and larger enemies who desperately want TESS secrets - ultimately embroiling TESS in a Chinese Civil war just to rescue their test pilot, Colonel Jeeter. The TESS secrets they guard are themselves growing too...as an unexpected player within TESS discovers a new use for the Petrovski Effect that is beyond the space drive - a critical tool which if leveraged soon enough may turn the tide in a final, climatic battle of survival.
Dominated by Darwinism and the numerous guises it assumed, evolutionary theory was a source of opportunities and difficulties for late Victorian novelists. Texts produced by Wells, Hardy, Stoker, and Conrad are exemplary in reflecting and participating in these challenges. Not only do they contend with evolutionary complications, John Glendening argues, but the complexities and entanglements of evolutionary theory, interacting with multiple cultural influences, thoroughly permeate the narrative, descriptive, and thematic fabric of each. All the books Glendening examines, from The Island of Doctor Moreau and Dracula to Heart of Darkness, address the interrelationship between order and chaos revealed and promoted by evolutionary thinking of the period. Glendening's particular focus is on how Darwinism informs novels in relation to a late Victorian culture that encouraged authors to stress, not objective truths illuminated by Darwinism, but rather the contingencies, uncertainties, and confusions generated by it and other forms of evolutionary theory.
The renowned British novelist’s “casual and wittily acute guidance” on reading—and writing—great fiction (Harper’s). Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain’s—and the world’s—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels—with specific examples from such masters as Dickens and Austen—discussing the elements they all have in common. Using a witty, informal tone and drawing as well on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between “flat” and “round” characters and between plot and story; and ultimately provides an “admirable and delightful” education for anyone who appreciates the art of a good book (The New York Times).