Afterlife and Narrative explores why life after death is such a potent cultural concept today, and why it is such an attractive prospect for modern fiction. The book mines a rich vein of imagined afterlives, from the temporal experiments of Martin Amis's Time's Arrow to narration from heaven in Alice Sebold's The Lovely Bones .
This profound and poignant collection highlights some of the best literary writers of our time in an era when the roles of mothers and daughters are constantly being questioned and redefined. Because I Love Her explores the deepest bonds and truths of motherhood by sharing stories and secrets of becoming a mother and grandmother. Ranging from established and bestselling authors to exciting new voices, these women reveal what their mothers taught them, what they in turn hope to impart to their daughters and, finally, what they've learned as a bridge between the two.
The second book in the Writer's Compass series from professional writing instructor Elizabeth Lyon offers both aspiring and established authors the fundamentals of writing and selling a great novel or short story. In addition to the basics of characterization, plot, pacing, and theme, A Writer's Guide to Fiction also features a plan for revising fiction, a guide to marketing, samples of cover and query letters, and methods of honing the writing craft.
Your hands-on, friendly guide to writing young adult fiction With young adult book sales rising, and bestselling authors likeJ.K. Rowling and Stephenie Meyer exploding onto the scene, aspiringYA writers are more numerous than ever. Are you interested inwriting a young adult novel, but aren't sure how to fit the stylethat appeals to young readers? Writing Young Adult Fiction For Dummies gives you tricksof the trade and proven tips on all the steps to write a YA book,from developing an idea to publication. Unique writing exercises to help you find your own authenticteen voice Tips to avoid when submitting manuscripts How to break into the flourishing young adult market With the help of this step-by-step guide, you'll have all theskills to write an inspiring and marketable young adult novel.
Ten Years of Cultural Criticism from the Pages of Bitch Magazine
Author: Lisa Jervis
Publisher: Farrar, Straus and Giroux
Category: Social Science
In the wake of Sassy and as an alternative to the more staid reporting of Ms., Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism—and vice versa—and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.
With Love and Laughter is actress Amy Yasbeck’s most enduring memory of the life she shared with her husband, John Ritter. He was one of America’s most popular and beloved film and television actors. We welcomed him into our homes weekly with his Emmy Award–winning portrayal of Jack Tripper on Three’s Company and his hit comedy 8 Simple Rules for Dating My Teenage Daughter. On September 11, 2003, John Ritter’s death from an undiagnosed aortic dissection, at the age of fifty-four, shocked and saddened not only his family and friends but also his millions of fans around the world. In this celebration of the life she shared with John, Yasbeck gives an emotionally honest account of navigating the shock and heartbreak of her family’s sudden loss. She honors his memory by recounting the lessons learned from her husband and his unique approach to life. She encourages us to enrich our own lives, as John did, by joyfully acknowledging our connectedness to one another. The tragedy of his untimely and avoidable death holds its own valuable lessons: life-saving ones. In 2007, John’s brother, Tom, empowered with the correct information about aortic aneurysm and dissection’s familial link, was properly diagnosed and his aneurysm was treated successfully. Knowing who is genetically at risk for this condition enables us all to avoid being blindsided by this insidious and often deadly disease. Here is an account of Yasbeck’s call to action for the public and medical community alike, culminating in the formation of the John Ritter Foundation for Aortic Health and the Ritter Rules. In this powerful memoir Amy Yasbeck shares her deeply personal and ultimately hopeful journey of surviving the devastating loss of her husband. Yasbeck looks back with anecdotes and memories from both John’s life and her own. Here are the unforgettable times she shared with a man who was adored for finding humor in everyday encounters, never failing to energize and entertain everyone around him. His philosophy was summed up by his favorite autograph for his fans, With Love and Laughter, John Ritter. Amy Yasbeck’s powerful story reminds us that love never dies . . . and the laughter doesn’t have to end. AMY YASBECK WITH LOVE AND LAUGHTER, John Ritter
Winner of the Children’s Literature Association Book Award This book visits a range of textual forms including diary, novel, and picturebook to explore the relationship between second-generation memory and contemporary children’s literature. Ulanowicz argues that second-generation memory — informed by intimate family relationships, textual mediation, and technology — is characterized by vicarious, rather than direct, experience of the past. As such, children’s literature is particularly well-suited to the representation of second-generation memory, insofar as children’s fiction is particularly invested in the transmission and reproduction of cultural memory, and its form promotes the formation of various complex intergenerational relationships. Further, children’s books that depict second-generation memory have the potential to challenge conventional Western notions of selfhood and ethics. This study shows how novels such as Lois Lowry’s The Giver (1993) and Judy Blume’s Starring Sally J Freedman as Herself (1977) — both of which feature protagonists who adapt their elders’ memories into their own mnemonic repertoires — implicitly reject Cartesian notions of the unified subject in favor of a view of identity as always-already social, relational, and dynamic in character. This book not only questions how and why second-generation memory is represented in books for young people, but whether such representations of memory might be considered 'radical' or 'conservative'. Together, these analyses address a topic that has not been explored fully within the fields of children’s literature, trauma and memory studies, and Holocaust studies.
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.
Young Women's Reflections on Sexuality and Domination
Author: Lynn Phillips
Publisher: NYU Press
View "Public Restrooms": A Photo Gallery in The Atlantic Monthly. So much happens in the public toilet that we never talk about. Finding the right door, waiting in line, and using the facilities are often undertaken with trepidation. Don't touch anything. Try not to smell. Avoid eye contact. And for men, don't look down or let your eyes stray. Even washing one's hands are tied to anxieties of disgust and humiliation. And yet other things also happen in these spaces: babies are changed, conversations are had, make-up is applied, and notes are scrawled for posterity. Beyond these private issues, there are also real public concerns: problems of public access, ecological waste, and—in many parts of the world--sanitation crises. At public events, why are women constantly waiting in long lines but not men? Where do the homeless go when cities decide to close public sites? Should bathrooms become standardized to accommodate the disabled? Is it possible to create a unisex bathroom for transgendered people? In Toilet, noted sociologist Harvey Molotch and Laura Norén bring together twelve essays by urbanists, historians and cultural analysts (among others) to shed light on the public restroom. These noted scholars offer an assessment of our historical and contemporary practices, showing us the intricate mechanisms through which even the physical design of restrooms—the configurations of stalls, the number of urinals, the placement of sinks, and the continuing segregation of women's and men's bathrooms—reflect and sustain our cultural attitudes towards gender, class, and disability. Based on a broad range of conceptual, political, and down-to-earth viewpoints, the original essays in this volume show how the bathroom—as a practical matter--reveals competing visions of pollution, danger and distinction. Although what happens in the toilet usually stays in the toilet, this brilliant, revelatory, and often funny book aims to bring it all out into the open, proving that profound and meaningful history can be made even in the can. Contributors: Ruth Barcan, Irus Braverman, Mary Ann Case, Olga Gershenson, Clara Greed, Zena Kamash,Terry Kogan, Harvey Molotch, Laura Norén, Barbara Penner, Brian Reynolds, and David Serlin.