Ecumene: Global Interface in American Ceramics

Author: NCECA 2012



Category: Ceramic sculpture, American

Page: 72

View: 649

Ecumene: Global Interface in American Ceramics is a national juried exhibition developed and sponsored by NCECA to run concurrently with the general assembly of the International Academy of Ceramics (IAC). The range of ideas and approaches to clay working in this exhibition demonstrate that while this confluence of interconnectedness and independence is pervasive, it can also be discomforting.

American Ceramics, 1876 to the Present

Author: Garth Clark



Category: Crafts & Hobbies

Page: 351

View: 946

Concentrates on the century's leading ceramists who represented the vanguard of the ceramic-art aesthetic

History of American Ceramics

The Studio Potter

Author: Paul S. Donhauser

Publisher: Kendall Hunt Publishing Company


Category: Art

Page: 260

View: 621

Overzicht van de ontwikkeling van Amerikaanse studio keramiek in de twintigste eeuw.

American Studio Ceramics

Innovation and Identity, 1940 to 1979

Author: Martha Drexler Lynn

Publisher: Yale University Press


Category: Art

Page: 418

View: 273

A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art

High-Tech Ceramics

Viewpoints and Perspectives

Author: Gernot Kostorz

Publisher: Elsevier


Category: Technology & Engineering

Page: 256

View: 370

High-tech ceramics pose many challenges to the scientist and engineer because of their demanding production and processing requirements. Leading experts in the field address these problems not only from a fundamental scientific point of view but with particular reference to a broad range of engineering applications. This edited volume is based on invited talks given at a symposium held at the ETH Zurich in November, 1988, sponsored by the International Latsis Foundation of Geneva.

The Art of Contemporary American Pottery

Author: Kevin A. Hluch

Publisher: Penguin


Category: Crafts & Hobbies

Page: 160

View: 276

Beauty will always reside in the eye of the beholder, but what about the fine line between beauty and functionality? Can a purely utilitarian form, such as a simple pot, vase, or plate, truly be considered a great work of art? In The Art of Contemporary American Pottery, author Kevin A Hluch takes up the challenge of addressing this debate. Hluch, who examines pottery from a unique perspective as historian, scholar and connoisseur, finds as much meaning and nobility in a thoughtfully crafted clay vessel as he does in a masterpiece painting. There are many reasons why a good pot is a good pot. Some reasons are obvious. Some are subtle. Some only reveal themselves when you know how to look. With the help of more than 200 beautiful color photos featuring the world of the country's best utilitarian potters, and a lengthy list of artists and galleries, Hluch does more than just talk about how great pottery is made. He talks about what makes great pottery.

Progress in Nitrogen Ceramics

Author: F.L. Riley

Publisher: Springer Science & Business Media


Category: Technology & Engineering

Page: 814

View: 668

The first NATO Advanced Study Institute on Nitrogen Ceramics held in 1976 at Canterbury came at a particularly significant moment in the development of this subject. The five-year period, 1971-75, had been an especially fruitful one in very many respects for work in the areas of covalent materials in general, and of the nitrides in particular. The Institute was therefore able to cap ture fully the spirit of excitement and adventure engendered by the outputs of numerous national research programmes, as well as those of many smaller research groups, concerning ceramics potent ially suitable for applications in a high temperature engineering context. It reflected accurately the state of knowledge with respect to the basic science, the powder technology, and the prop erties of materials based on silicon nitride and associated syst ems. The Proceedings of the Institute thus provided a good record for workers already in the field, and a useful textbook for new comers to the subject of nitrogen ceramics. The Canterbury Advanced Study Institute had a valuable educ ational and social function in bringing together for two weeks a large proportion of those workers most closely involved at that time with the nitrogen ceramics. The atmosphere of this meeting, providing both intensive discussions and informal contacts, made a lasting impression on the participants, and inevitably the question was raised of whether, and when, a second Advanced Study Institute might be held on this subject.