The Egypt that so enticed and enchanted intrepid archaeologist-sleuth Amelia Peabody in the late nineteenth and twentieth centuries was a place of wonder, mystery, danger, and the lure of antiquity. Now, with this monumental volume of Egyptian culture, history, and arcania, readers will be able to immerse themselves in the great lady's world more completely than ever before. Journey through the bustling streets and markets of Cairo a hundred years ago. Surround yourself with the customs and color of a bygone time. Explore ancient tombs and temples and marvel at the history of this remarkable land -- from the age of the pharaohs through the Napoleonic era to the First World War. Also included in Amelia Peabody's Egypt are a hitherto unpublished journal entry and intimate biographies of the Emersons and their friends, which provide a uniquely personal view of the lives, relationships, opinions, politics, and delightful eccentricities of mystery's first family, as well as unforgettable pearls of wit and wisdom from everyone's favorite fictional Egyptologist herself. Containing nearly 600 black-and-white photographs and illustrations, and articles by numerous experts, Amelia Peabody's Egypt sparkles with unforgettable glimpses of the exotic and the bizarre, the unusual and the unfamiliar -- a treasure trove that overflows with Egyptological riches, along with wonderful insights into the culture and mores of the Victorian era, including the prevalent attitudes on empire, fashion, feminism, tourists, servants, and much more. A one-of-a-kind collection that offers endless hours of pleasure for Peabodyphiles and Egypt aficionados alike, here is a tome to cherish; a grand and glorious celebration of the life, the work, and the world of the incomparable Amelia Peabody.
Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL
Join our plucky Victorian Egyptologist , together with her devastatingly handsome and brilliant husband Radcliffe, in another exciting escapade The irascible husband of Victorian Egyptologist Amelia Peabody is living up to his reputation as 'The Father of Curses'. Denied permission to dig at the pyramids of Dahshoor, Emerson is awarded instead the 'pyramids' of Mazghunah - countless mounds of rubble in the middle of nowhere. Nothing in this barren spot seems of any interest but then a murder in Cairo changes all of that. The dead man was an antiques dealer, killed in his shop, so when a sinister-looking Egyptian spotted at the crime scene turns up in Mazghunah, Amelia can't resist following his trail. At the same time she has to keep an eagle eye on her wayward son Rameses and his elegant and calculating cat and look into the mysterious disappearance of a mummy case...
This invaluable resource provides information about and sources for researching 50 of the top crime genre writers, including websites and other online resources. * A timeline of major authors and events in the development of the crime fiction genre * Read-alike sections listing other authors whose works are similar in style or theme to those of ten major authors included in the book * Lists of major organizations and awards in the field of crime literature * A bibliography of online and print sources for biographical and critical information about crime genre authors
“Passion among the pyramids. Forged antiquities. A country at war. A camel in the garden. A cameo by Lawrence of Arabia. Add in Peters’s trademark intelligent plotting, engaging characters, and stylish writing and we can hardly ask for anything more.” —Cincinnati Enquirer One of the most beloved characters in mystery/suspense fiction, archeologist and Egyptologist Amelia Peabody bravely faces gravest peril in Cairo on the eve of World War One in New York Times bestselling Grandmaster Elizabeth Peters’s magnificent Egyptian adventure, He Shall Thunder in the Sky. The San Francisco Examiner calls these heart-racing exploits of Amelia and her courageous family, the Emersons, “pure delight.” But perhaps the New York Times Book Review states it best: “Between Amelia Peabody and Indiana Jones, it’s Amelia—in wit and daring—by a landslide.”
A new year, 1917, is dawning, and the Great War that ravages the world shows no sign of abating. Answering the siren call of Egypt once more, Amelia Peabody and her family arrive at their home in Luxor to learn of a new royal tomb ransacked by thieves. Soon an even more disturbing outrage concerns the intrepid clan of archaeologists: the freshly and savagely slain corpse of a thief defiling the ancient burial site. Yet this is nothing compared with the lethal fate that threatens Ramses. Besieged by the British and defended by formidable Turkish and German forces, the fortified seaport of Gaza guards the gateway to the Holy Land. Answering a call he cannot refuse from British military intelligence, Ramses must journey to this ancient, fabled city to undertake a mission as personal as it is perilous. Death will surely be his lot if he is caught or exposed. Meanwhile, Ramses's wife, Nefret, guards a secret of her own.... Once again the incomparable and bestselling carries us to a breathtaking realm of ancient wonders and crumbling splendor -- from the hectic bustle of the Cairo markets to remote, sand-swept corners of the Egyptian desert where the gods of antiquity sleep. Returning visitors to the world of Amelia Peabody will be enthralled by the latest mesmerizing adventure from the award-winning grandmaster, and newcomers will succumb to her wiles as they are caught up in the tantalizing spell of the remarkable Elizabeth Peters and The Golden One.
The First four titles in the Amelia Peabody series at a great price. Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude! In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries,mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he thinks! Join our plucky Victorian Egyptologist , together with her devastatingly handsome and brilliant husband Radcliffe, in another exciting escapadeWhen Lady Baskerville's husband Sir Henry dies after discovering what may have been an undisturbed royal tomb in Luxor, she appeals to eminent archaeologist Radcliffe Emerson and his wife Amelia to take over the excavation. Amid rumours of a curse haunting all those involved with the dig, the intrepid couple proceeds to Egypt, where they begin to suspect that Sir Henry did not die a natural death, and they are confident that the accidents that plague the dig are caused by a sinister human element, not a pharoah's curse The irascible husband of Victorian Egyptologist Amelia Peabody is living up to his reputation as 'The Father of Curses'. Denied permission to dig at the pyramids of Dahshoor, Emerson is awarded instead the 'pyramids' of Mazghunah - countless mounds of rubble in the middle of nowhere. Nothing in this barren spot seems of any interest but then a murder in Cairo changes all of that. The dead man was an antiques dealer, killed in his shop, so when a sinister-looking Egyptian spotted at the crime scene turns up in Mazghunah, Amelia can't resist following his trail. At the same time she has to keep an eagle eye on her wayward son Rameses and his elegant and calculating cat and look into the mysterious disappearance of a mummy case... The 1985-96 season promises to be an exceptional one for Egyptologist Amelia Peabody, her dashing husband Emerson and their precocious eight-year-old son Rameses. The much-coveted burial chamber in Dahshoor is theirs for the digging. Yet there is a great evil in the wind that caresses the hot sands sweeping through the bustling streets and marketplaces of Cairo. An expedition cursed by misfortune and the daring moonlit abduction of Rameses alerts Amelia to the presence of her arch-enemy, the Master Criminal. And his is now a personal quest for the most valuable and elusive prize of all: vengeance on the meddling lady archaeologist with the parasol who has sworn to deliver him to justice...Amelia Peabody herself!
In this latest Amelia Peabody mystery there's more trouble in store for our intrepid Egyptologist. This time it is of a distinctly personal nature. Her niece's new, Egyptian, husband stands accused of forging priceless antiquities. Is he guilty, or merely the fall guy for some unscrupulous villain? Meanwhile, matters are complicated by the arrival of Amelia's detestable nephew who begins an ardently amorous pursuit of her son's wife, Nefret...
Egypt, 1912. Amelia Peabody and her dashing archaeologist husband, Radcliffe Emerson, are once again in danger as they search for a priceless, stolen bust of legendary Queen Nefertiti... Arriving in Cairo for another thrilling excavation season, Amelia is relaxing in her elegant hotel suite when a man with knife protruding from his back staggers into her chamber and utters a single word -'Murder' - before collapsing on the floor, dead. It soon becomes apparent that someone has saved Amelia from a would-be assassin-someone who is keeping a careful eye on the intrepid archaeologist. And there can be only one answer: the brilliant master of disguise, Sethos. For Amelia, this excavation season will prove to be unforgettable; one where a brilliant criminal will offer his final challenge . . . and perhaps be unmasked at last. 'Think Miss Marple with early feminist gloss crossed with Indiana Jones' The Guardian
Is the Hippopotamus Pool a legend? Or Amelia's nemesis! A masked stranger offers to reveal an Egyptian queens' lost tomb - and Amelia Peabody and her irascible archaeologist husband Emerson are intrigued, to say the least. When the guide mysteriously disappears before he can tell them his secret, the Peabody-Emersons sail to Thebes to follow his trail, helped - and hampered - by their teenage son Rameses, and beautiful ward Nefret. Before the sands of time shift very far, all of them will be risking their lives foiling murderers, kidnappers, grave robbers, and ancient curses. off once again on a rollicking adventure involving archaeology, murderers, kidnappers, grave robbers and ancient curses. And the hippopotamus Pool? It's a legend of war and wits that Amelia is translating, one that alerts her to a hippo of a different type - a nefarious, overweight art dealer who is on course to become her new arch-enemy!