A three-thousand year history of the world that examines the causes of war and the search for peace In three thousand years of history, China has spent at least eleven centuries at war. The Roman Empire was in conflict during at least 50 per cent of its lifetime. Since 1776, the United States has spent over one hundred years at war. The dream of peace has been universal in the history of humanity. So why have we so rarely been able to achieve it? In A Political History of the World, Jonathan Holslag has produced a sweeping history of the world, from the Iron Age to the present, that investigates the causes of conflict between empires, nations and peoples and the attempts at diplomacy and cosmopolitanism. A birds-eye view of three thousand years of history, the book illuminates the forces shaping world politics from Ancient Egypt to the Han Dynasty, the Pax Romana to the rise of Islam, the Peace of Westphalia to the creation of the United Nations. This truly global approach enables Holslag to search for patterns across different eras and regions, and explore larger questions about war, diplomacy, and power. Has trade fostered peace? What are the limits of diplomacy? How does environmental change affect stability? Is war a universal sin of power? At a time when the threat of nuclear war looms again, this is a much-needed history intended for students of international politics, and anyone looking for a background on current events.
This text reinterprets the modern West's development in terms of mankind's relationship to religion. It argues that the development of human political and psychological autonomy must be understood against the growth of the concept of divine power and its increasing distance from human activity.
Publisher: Macmillan International Higher Education
A fresh and engaging account of America's history from the 15th century to the 21st that navigates complexities without oversimplifying or assuming prior knowledge. Kuklick focuses on politics, but places this in the context of religious culture and emphasizes the assertive expansion at the heart of the development of the U.S.
Cricket is an enduring paradox. On the one hand, it symbolises much that is outmoded: imperialism; a leisured elite; a rural, aristocratic Englishness. On the other, it endures as a global game and does so by skilful adaptation, trading partly on its mythic past and partly on its capacity to repackage itself. This ambitious new history recounts the politics of cricket around the world since the Second World War, examining key cultural and political themes, including decolonisation, racism, gender, globalisation, corruption and commercialisation. Part One looks at the transformation of cricket cultures in the ten territories of the former British Empire in the years immediately after 1945, a time when decolonisation and the search for national identity touched every cricket playing region in the world. Part Two focuses on globalisation and the game’s evolution as an international sport, analysing: social change and the Ashes; the campaigns for new cricket formats; the development of the women’s game; the new breed of coach; the limits to the game’s global expansion; and the rise of India as the world’s leading cricket power. Cricket: A Political History of the Global Game, 1945-2017 is fascinating reading for anybody interested in the contemporary history of sport.
Explores the history of the American rich, from the founding of the nation to the present day, exposing a detrimental political pattern that has hindered the democratic process and profoundly impacted the nation's economy.
Multilinguality gained a new impetus in North India with the influx of West Asian Muslim communities around the thirteenth century. Over a period of time, it entered everyday life as well as creative and scholarly pursuits. The fifteenth century, in particular, saw unprecedented vitality for literary practice, and the poet-scholar Vidyapati from Mithila was one of the many luminaries of the time. This volume encompasses an intimate linguistic, literary, and historical study of three of Vidyapati’s major works: a Sanskrit treatise on writing (Likhanāvalī); a celebratory biography in Apabhraṃśa (Kīrttilatā); and a collection of mythohistorical tales in Sanskrit (Puruṣaparīkṣā ). Through this examination, the author reveals a world that is marked by a range of ideas, expertise, literary tropes, ethical regimes, and historical consciousness, drawn eclectically from sources that belong to ‘diverse’ politico-cultural traditions. Using Vidyapati’s narratives, A Political History of Literature illustrates that many ideals extolled in fifteenth century literary cultures were associated with an imperial state—a state that was a century away from coming into being—and testifies that ideas incubate and get actualized in realpolitik only in the long duration.
Winner of the Pulitzer Prize in History for 1986, this highly acclaimed study approaches the space race as a problem in comparative public policy. Drawing on exhaustive research, author and ORBIS editor Walter A. McDougall examines U.S., European, and Soviet space programs and their politics. 25 illustrations.
Neutral Ground: A Political History of Espionage Fiction takes the reader behind the fiction and explores the real-world political, military, and diplomatic events that have consistently and significantly threaded their way through the fabric of the genre. Against this historical timeline, it examines how numerous authors including Rudyard Kipling, Somerset Maugham, Graham Greene, and John le Carré have engaged reality in order to write the espionage novels that have become literary classics and, in selected cases, have also served to alter the course of government policy. --From publisher's description.
A Political History of Old-Time, Hillbilly, and Country Music
Author: Peter La Chapelle
Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O'Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape.