A Monster Calls

The Art and Vision Behind the Film

Author: Desirée de Fez

Publisher: Insight Editions

ISBN:

Category: Art

Page: 328

View: 312

Discover the incredible story behind the creation of A Monster Calls, the new film from visionary director J. A. Bayona (The Impossible), based on the acclaimed novel by Patrick Ness. A Monster Calls tells the story of Conor O’Malley (Lewis MacDougall), a young boy whose world has been turned upside down by his mother’s (Felicity Jones) terminal illness. Conor’s life is thrown further into disarray when he is visited by a gigantic monster, formed from the bark of a tree in a nearby churchyard. The monster vows to tell Conor three stories over several visits and demands that Conor must then tell his own story. As his mother’s health worsens and Conor struggles to deal with everyday life and the visits of the monster, he must confront his worst fears to survive. Also featuring the voice of Liam Neeson as the monster, plus an exceptional performance by Sigourney Weaver as Conor’s grandmother, A Monster Calls is an emotionally gripping tale delivered with style and panache by director J. A. Bayona, whose next film is the much-anticipated Jurassic World 2. This book tells the full story of the creation of A Monster Calls through revealing interviews with the cast and crew—including Bayona, MacDougall, Jones, Neeson, and Weaver—and stunning behind-the-scenes visuals, such as concept art and on-set stills. The Art of A Monster Calls also delves into the electrifying special effects that bring the titular behemoth to life and the creation of the unique animated segments that accompany the monster’s stories in the film. The ultimate companion to one of the most exceptional films of 2016, The Art of A Monster Calls is a must-have for film fans.

A Monster Calls

Englische Lektüre Ab Dem 6. Lernjahr, Oberstufe (B2)

Author: Patrick Ness

Publisher: Ernst Klett Sprachen GmbH

ISBN:

Category:

Page: 239

View: 693

A Monster Calls

Author:

Publisher:

ISBN:

Category: England

Page:

View: 277

Twelve-year-old Conor, dealing with his mother's illness, a less-than-sympathetic grandmother, and bullying classmates, finds a most unlikely ally when a monster appears at his bedroom window. Ancient, wild, and relentless, the monster guides Conor on a journey of courage, faith, and truth.

Magical Realism in A Monster Calls and The Ocean at the End of the Lane

Magistrsko Delo

Author: Monja Poštrak

Publisher:

ISBN:

Category:

Page: 90

View: 265

Magical realism as a literary mode has been the cause of numerous debates since the publication of One Hundred Years of Solitude by the Colombian author Gabriel García Márquez in 1967, which the majority of critics consider to be the first magical realist novel. Magical realism has been frequently confused with fantasy and is still considered by some as the latter's branch. Though there is no unified definition of magical realism, critics have agreed upon some of the most common characteristics. The present thesis makes use of Wendy B. Faris's theoretical framework on the mode's characteristics and applies it to A Monster Calls by Patrick Ness and The Ocean at the End of the Lane by Neil Gaiman. In both novels, marvellous happenings are incorporated seamlessly into a realistic narrative, which is the basic definition of magical realism. The events are presented matter-of-factly; thus, readers perceive them as realistic. Both novels also contain the primary characteristics that define magical realism as a literary mode, according to Faris. A Monster Calls has been adapted into a movie as well as translated into Slovene as Sedem minut čez polnoč. In the translation, magical realism retains its characteristics, since it is mainly a content based literary mode. In the movie, however, visual representations of the irreducible element, i. e. the yew tree monster, offer the viewers an opportunity to perceive it as ordinary.

Pastoral Aesthetics

A Theological Perspective on Principlist Bioethics

Author: Nathan Carlin

Publisher: Oxford University Press

ISBN:

Category: Medical

Page: 240

View: 172

It is often said that bioethics emerged from theology in the 1960s, and that since then it has grown into a secular enterprise, yielding to other disciplines and professions such as philosophy and law. During the 1970s and 1980s, a kind of secularism in biomedicine and related areas was encouraged by the need for a neutral language that could provide common ground for guiding clinical practice and research protocols. Tom Beauchamp and James Childress, in their pivotal The Principles of Biomedical Ethics, achieved this neutrality through an approach that came to be known as "principlist bioethics." In Pastoral Aesthetics, Nathan Carlin critically engages Beauchamp and Childress by revisiting the role of religion in bioethics and argues that pastoral theologians can enrich moral imagination in bioethics by cultivating an aesthetic sensibility that is theologically-informed, psychologically-sophisticated, therapeutically-oriented, and experientially-grounded. To achieve these ends, Carlin employs Paul Tillich's method of correlation by positioning four principles of bioethics with four images of pastoral care, drawing on a range of sources, including painting, fiction, memoir, poetry, journalism, cultural studies, clinical journals, classic cases in bioethics, and original pastoral care conversations. What emerges is a form of interdisciplinary inquiry that will be of special interest to bioethicists, theologians, and chaplains.

A Monster Calls Book Discussion Kit

Kits for Teens

Author: Desirée de Fez

Publisher:

ISBN:

Category: Breast

Page: 225

View: 993

Thirteen-year-old Conor awakens one night to find a monster outside his bedroom window, but not the one from the recurring nightmare that began when his mother became ill--an ancient, wild creature that wants him to face truth and loss.

Beyond the Book

Transforming Children’s Literature

Author: Bridget Carrington

Publisher: Cambridge Scholars Publishing

ISBN:

Category: Social Science

Page: 302

View: 926

November 2012 saw the joint annual conference of the British branch of the International Board on Books for Young People (IBBY UK) and the MA course at the National Centre for Research in Children’s Literature (NCRCL) at Roehampton University. The theme of the conference was the investigation of aspects of literature for children that were ‘Beyond the Book’. From woodcuts to e-books, children’s literature has always lent itself to reinterpretation and expansion. In its early days, this was achieved through different forms of retelling, through illustration and interactive illustration (pop-ups and flaps), and then through music, film, television and stage adaptation. The contributors to the 2012 conference explored the variety of means by which we transform literature intended for children, and celebrated the vibrant world of creativity that has sought, and continues to seek, different ways in which to engage young readers. Bridget Carrington and Jennifer Harding have previously collaborated as the editors of earlier IBBY UK/NCRCL MA conference proceedings: Going Graphic: Comics and Graphic Novels for Young People; Conflicts and Controversies: Challenging Children’s Literature; and It Doesn’t Have to Rhyme: Children and Poetry (Pied Piper Publishing, 2010, 2011, 2012).

Wisdom of the Psyche

Depth Psychology after Neuroscience

Author: Ginette Paris

Publisher: Routledge

ISBN:

Category: Psychology

Page: 256

View: 132

In the quest for identity and healing, what belongs to the humanities and what to clinical psychology? Ginette Paris uses cogent and passionate argument as well as stories from patients to teach us to accept that the human psyche seeks to destroy relationships and lives as well as to sustain them. This is very hard to accept which is why, so often, the body has the painful and dispiriting job of showing us what our psyche refuses to see. In jargon-free language, the author describes her own story of taking a turn downwards and inwards in the search for a metaphorical personal 'death'. If this kind of mortality is not attended to, then more literal bodily ailments and actual death itself can result. Paris engages with one of the main dilemmas of contemporary psychology and psychotherapy: how to integrate findings and insights from neuroscience and medicine into an approach to healing founded upon activation of the imagination. At present, she demonstrates, what is happening is damaging to both science and imagination.

Knowledge of Life

Author: Georges Canguilhem

Publisher: Fordham Univ Press

ISBN:

Category: Philosophy

Page: 202

View: 675

Table of Contents Foreword: Life, as Such Paola Manari Manari, Paola Todd Meyers Meyers, Todd Translators' Note by Stefanos Geroulanos and Daniela Ginsburg Introduction: Thought and the Living Pt. 1 Method 1 Experimentation in Animal Biology Pt. 2 History 2 Cell Theory Pt. 3 Philosophy 3 Aspects of Vitalism 4 Machine and Organism 5 The Living and Its Milieu 6 The Normal and the Pathological 7 Monstrosity and the Monstrous Appendixes 1 Note on the Transition from Fibrillar Theory to Cell Theory 2 Note on the Relationship Between Cell Theory and Leibniz's Philosophy 3 Extracts from the "Discours sur l'anatomie du cervcau" ("Discourse on the Anatomy of the Brain"), delivered hy Nicolas Steno in Paris in 1665 to the "Messieurs de l'Assemblee de chez Monsieur Thevenot" in Paris Notes Bibliography.