Identity Mediations in Latin American Cinema and Beyond

Culture, Music and Transnational Discourses

Author: Cecilia Nuria Gil Mariño

Publisher: Cambridge Scholars Publishing


Category: Performing Arts

Page: 405

View: 262

The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.


A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times

Author: Marissa Jean Moorman

Publisher: Ohio University Press


Category: History

Page: 290

View: 435

Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation. The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

Folklore and Literature

Studies in the Portuguese, Brazilian, Sephardic, and Hispanic Oral Traditions


Publisher: SUNY Press


Category: Literary Criticism

Page: 327

View: 685

Explores how modern folklore, through its preservation of ballads and folktales, supplements our understanding of the oral tradition and enhances our knowledge of early literature.


Author: Raymundo Antonio de BULHÃO PATO




Page: 216

View: 492





Category: Brazil


View: 245

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Category: Bibliography


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