A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In Volume 2, with the birth of Zech and Glenda's son, Solomon, a new generation of MacIveys learns to ride horses, drive cattle, and teach rustlers a thing or two. Sol and his family earn more and more gold doubloons from cattle sales, as well as dollars from their orange groves. They invest it in buying land, once free to all, now owned and fenced and increasingly populated, until it becomes just a land remembered. See all of the books in this series
In this best-selling novel, Patrick Smith tells the story of three generations of the MacIveys, a Florida family who battle the hardships of the frontier to rise from a dirt-poor Cracker life to the wealth and standing of real estate tycoons. The story opens in 1858, when Tobias MacIvey arrives in the Florida wilderness to start a new life with his wife and infant son, and ends two generations later in 1968 with Solomon MacIvey, who realizes that the land has been exploited far beyond human need. The sweeping story that emerges is a rich, rugged Florida history featuring a memorable cast of crusty, indomitable Crackers battling wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the swamp. But their most formidable adversary turns out to be greed, including finally their own. Love and tenderness are here too: the hopes and passions of each new generation, friendships with the persecuted blacks and Indians, and respect for the land and its wildlife. Patrick Smith's novel is now available for young readers. A teacher's manual is available for using A Land Remembered to teach language arts, social studies, and science coordinated with the Sunshine State Standards of the Florida Department of Education.
Deep River uncovers the layers of history—both personal and regional—that have accumulated on a river-bottom farm in west-central Missouri. This land was part of a late frontier, passed over, then developed through the middle of the last century as the author's father and uncle cleared a portion of it and established their farm. Hamilton traces the generations of Native Americans, frontiersmen, settlers, and farmers who lived on and alongside the bottomland over the past two centuries. It was a region fought over by Union militia and Confederate bushwhackers, as well as by their respective armies; an area that invited speculation and the establishment of several small towns, both before and after the Civil War; land on which the Missouri Indians made their long last stand, less as a military force than as a settlement and civilization; land that attracted French explorers, the first Europeans to encounter the Missouris and their relatives, the Ioways, Otoes, and Osage, a century before Lewis and Clark. It is land with a long history of occupation and use, extending millennia before the Missouris. Most recently it was briefly and intensively receptive to farming before being restored in large part as state-managed wetlands. Deep River is composed of four sections, each exploring aspects of the farm and its neighborhood. While the family story remains central to each, slavery and the Civil War in the nineteenth century and Native American history in the centuries before that become major themes as well. The resulting portrait is both personal memoir and informal history, brought up from layers of time, the compound of which forms an emblematic American story.
Disasters, disappointments, dashed hopes ... Doesn't seem that easy, just to find a good man, love him and be loved back. But I shan't give up trying. The war is over, but life goes on for Land Girls Prue, Stella and Ag. While two of the girls are married, Prue, the incorrigible flirt, has no one and is engaged in a quest for a man to provide her with security and gold taps. A year after the girls leave Hallows Farm, Prue finds just such a man and a marriage that protects her from the hardships of post-war Manchester. But she still hankers for the life she so loved as a Land Girl, though it's hard to get work on the sort of farm that provided unimaginable happiness during the war. The lives of her two old friends, Stella and Ag, have moved on and neither visit her. Additionally Prue finds that her newly wedded state and fresh horizons fail to supply the answers she seeks. Yet, in the puzzling world beyond the fields, Prue, in her indomitable way, open as ever to each chance encounter, remains buoyant, optimistic and quite sure that the life she imagines is just round yet another corner. Praise for Land Girls: 'A first-class writer' Sunday Telegraph 'Riveting ... evocative and entertaining' Daily Mail 'Huth's controlled, eloquent style has been compared to Jane Austen's, but her talent is entirely original' The Times 'Piquant, witty and entertaining' Tatler 'Huth is a master of this sort of novel, steeped in period atmosphere and gentle irony' Daily Telegraph 'A good story, told with wit and a keen observation of detail' Times Literary Supplement
Rye Tyler was twelve when his father was killed in an Indian raid. Taken in by a mysterious stranger with a taste for books and an instinct for survival, Rye is schooled in the hard lessons of life in the West. But after killing a man, he is forced to leave his new home. He rides lonely mountain passes and works on dusty cattle drives until he finds a job breaking horses. Then he meets Liza Hetrick, and in her eyes he sees his future. After establishing himself as marshal of Alta, he returns, only to discover that Liza has been kidnapped. Tracking her to Robbers’ Roost, Rye is forced to face the man who taught him all he knows about books, guns, and friendship. Two old friends—one woman: Who will walk away?
While one of the central drives in classic American letters has been a reflexive desire to move away from the complexity and supposed corruption of cities toward such idealized nonurban settings as Cooper's prairies, Thoreau's woods, Melville's seas, Whitman's open road, and Twain's river, nearly the opposite has been true in African-American letters. Indeed the main tradition of African-American literature has been, for the most part, strikingly positive in its vision of the city. Although never hesitant to criticize the negative aspects of city life, classic African-American writers have only rarely suggested that pastoral alternatives exist for African-Americans and have therefore celebrated in a great variety of ways the possibilities of urban living. For Frederick Douglass, Langston Hughes, Richard Wright, James Baldwin, and Ralph Ellison, the city, despite its many problems, has been a place of deliverance and renewal. In the words of Alain Locke, the city provided "a new vision of opportunity" for African-Americans that could enable them to move from an enslaving "medieval" world to a modern world containing the possibility of liberation. More recent African-American literature has also been noteworthy for its largely affirmative vision of urban life. Amiri Baraka's 1981 essay "Black Literature and the Afro-American Nation: The Urban Voice" argues that, from the Harlem Renaissance onward, African-American literature has been "urban shaped," producing a uniquely "black urban consciousness." And Toni Morrison, although stressing that the American city in general has often induced a sense of alienation in many African-American writers, nevertheless adds that modern African-American literature is suffused with an "affection" for "the village within" the city. Gwendolyn Brook's poetry and Gloria Naylor's fiction, likewise, celebrate this sense of cultural unity in the black city. In addition to these writers, the sixteen new essays in this collection discuss the works of Claude McKay, William Attaway, Willard Motley, Ann Petry, John A. Williams, Charles Johnson, Samuel R. Delany, Ed Bullins, Adrienne Kennedy, and Lorraine Hansberry. The authors of these essays range from critics in America to those abroad, as well as from specialists in African-American literature to those in other fields.
A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.