William Coperthwaite is a teacher, builder, designer, and writer who for many years hasexplored the possibilities of true simplicity on a homestead on the north coast of Maine. In the spirit of Henry David Thoreau, Emily Dickinson, and Helen and Scott Nearing, Coperthwaite has fashioned a livelihood of integrity and completeness-buying almost nothing, providing for his own needs, and serving as a guide and companion to hundreds of apprentices drawn to his unique way of being. A Handmade Life carries Coperthwaite's ongoing experiments with hand tools, hand-grown and gathered food, and handmade shelter, clothing, and furnishings out into the world to challenge and inspire. His writing is both philosophical and practical, exploring themes of beauty, work, education, and design while giving instruction on the hand-crafting of the necessities of life. Richly illustrated with luminous color photographs by Peter Forbes, the book is a moving and inspirational testament to a new practice of old ways of life.
William Coperthwaite is a teacher, builder, designer, and writer who for many years has explored the possibilities of true simplicity on a homestead on the north coast of Maine. In the spirit of Henry David Thoreau, Emily Dickinson, and Helen and Scott Nearing, Coperthwaite has fashioned a livelihood of integrity and completeness--buying almost nothing, providing for his own needs, and serving as a guide and companion to hundreds of apprentices drawn to his unique way of being. A Handmade Life carries Coperthwaite's ongoing experiments with hand tools, hand-grown and gathered food, and handmade shelter, clothing, and furnishings out into the world to challenge and inspire. His writing is both philosophical and practical, exploring themes of beauty, work, education, and design while giving instruction on the hand-crafting of the necessities of life: house, tools, clothing, and furniture. Richly illustrated with luminous color photographs by Peter Forbes, the book is a moving and inspirational testament to an new/old way of life.
In a hectic world of mass-produced food, clothing, and entertainment, it’s easy to miss out on the simple pleasures of doing things for yourself. Young web designer Jenna Woginrich chronicles her adventures as she learns to embrace the idea of self-sufficiency in all aspects of her life, including sewing her own clothes, growing her own food, and creating her own fun outside of the mainstream. Woginrich’s hilarious, heartbreaking, and soul-satisfying journey will bring joy and inspiration to those who dream about a more independent lifestyle.
At the age of twenty-four, Barbara McLean and her husband, Thomas, decided to make their home in the country, near a village called Alderney in Grey County, Ontario. Together they became homeowners, farmers and, eventually, parents. They called their farm Lambsquarters, and they remain there today, twenty-six years later. Life on a farm is a cycle of neverending work and discovery. Barbara and her family develop close relationships with every living thing: the hearty lambs and the fragile ones, the pumpkins and the potatoes and the hollyhocks in the barnyard, a family of bluebirds with problems of its own. What at first seems an intensely independent act — having one’s own land and space — becomes more meaningful once it becomes possible to connect with the larger community. Strong bonds are formed with neighbours who share both in grief and in celebration. In striking portraits that are intensely intimate and yet reverberate with the universal hum of life, Barbara McLean describes the beauty, pain and wonder of the very essence of her surroundings and all who share them. We accompany her on a life’s journey, from a somewhat daunted dweller of a ramshackle farmhouse to a true inhabitant of a place. Lambsquarters is for everyone who has dreamed of reconnecting with the land, as well as for those already well acquainted with rubber boots, chicken manure and the long trajectories of the rural school bus. From the Hardcover edition.
Laura Lovegrove is leaving behind her seamless life in London. Architect husband Adi has been relocated to rural Norfolk, a far cry from ultra-urban Ealing. Though Laura knew village life would be different, she didn't foresee a pokey cottage, nosey neighbours, errant poodles, and even an ex turning up. Chris had been her big love at art college and seeing him again is utterly confusing. Is she really so different from the impulsive student who once trawled charity shops for vintage treasures? When a fire all but destroys Laura's collection of vintage clothes, she's heartbroken. And seriously lacking in outfits. But, salvaging what she can, Laura makes do and mends - sewing purses, bags, even dog leads (which should solve the poodle problem). Soon, she's inundated with orders. But Adi is becoming more and more distant; it's like there's something he's not telling her. Can Laura make a stitch in time and pull her family back together again?
"The ultimate guide to 33 crafting techniques, from embroidery and clay to collage and baskets, The handmade life showcases the work of more than 150 contemporary artists and offers 170 inspirational project ideas for everyone from beginners to experienced crafters."--Page 4 of cover.
"Make tomorrow's family heirlooms in today's favorite fabrics. · 19 cozy projects include pillow, tote bags, table runners, and larger quilts · Lots of quick and easy designs that make great gifts · Give a modern look to some of Grandmother's favorites: hexagons, stars, snowballs, and Dresden Plates"--Cover verso.
Th�r�se Godoy's memoir, A Handmade Life, conjures visions of an idyllic childhood. Her upbringing, however, wasn't all American Bandstand and backyard barbeques. Behind the wholesome fa�ade of Long Island life, Godoy had to deal with significant issues. People outside the family only saw the happy children romping through the woods around their home without a care in the world. Their parents were often gone, but Th�r�se, her brother, and her sister kept each other from getting into too much trouble. And yet, beyond that perfect portrait lay hardship and struggle. As Godoy looks back on her childhood with much wiser eyes, however, she also talks about her search for meaning in adulthood, as well as understanding and forgiveness. Godoy then focuses on her own transition into womanhood and the lessons she learned about the world. A new love will open her eyes up to experiences she had never before considered.
Goizueta Folklife Gallery (Atlanta History Museum)
Folk Arts in a Changing South : a Catalog of the Goizueta Folklife Gallery at the Atlanta History Center
Author: Goizueta Folklife Gallery (Atlanta History Museum)
Publisher: University of Georgia Press
A complete catalog of the Atlanta History Center’s permanent folk art exhibition, this richly illustrated volume defines and documents the folk arts of the lower southeastern United States. The objects, crafting processes, and performances represented here illustrate the unique qualities of the community-learned traditional arts of the South. John A. Burrison examines a multitude of traditional art forms, many of which still thrive today. Intricately constructed miniatures of covered wagons, sorghum-syrup mills, and pottery workshops speak of a life of subsistence farming. Decorated baskets represent the cultural exchanges of Native Americans, European Americans, and African Americans. Intricate wrought-iron gates, musical instruments, quilts, and such curiosities as face jugs combine beauty and utility--the dual nature of most folk art--with southern flair. An illuminating introduction by Burrison, the curator of the exhibit and an expert folk art collector, presents highlights of his thirty years of research and collecting experience, offering a behind-the-scenes glimpse of the exhibition. A concluding section looks at the adaptations and innovations shaping the future of southern folk arts.