Ein Leben zwischen Liebe, Inspiration und Natursehnsucht. Henry David Thoreau, Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller und Nathaniel Hawthorne
Author: Susan Cheever
Publisher: Suhrkamp Verlag
Category: Biography & Autobiography
Concord in Neuengland, Mitte des 19. Jahrhunderts: ein Eldorado für Freidenker. Schriftsteller um Henry David Thoreau schreiben dort ihre wichtigsten Werke und revolutionieren neben der amerikanischen Literatur auch den amerikanischen Lebensstil: ungezwungen, kreativ und naturverbunden. Durch ein Erbe frühzeitig an Geld gelangt, lädt Ralph Waldo Emerson von ihm bewunderte Schriftsteller nach Concord. Was hier entsteht, wird nicht nur die Bewohner der Kleinstadt, sondern die Geschichte der amerikanischen Kultur in Aufruhr bringen. Die Transzendentalisten, wie die Gruppierung um Henry David Thoreau genannt wird, brechen mit allen Anstandsregeln: Nathaniel Hawthorne und Ralph Waldo Emerson verlieben sich gleichzeitig in die exzentrische Margaret Fuller, Louisa May Alcott schwärmt für ihren viel älteren Lehrer Thoreau, sie diskutieren, lesen sich gegenseitig Manuskripte vor, ernähren sich vegetarisch, ersinnen feministische Ideen und unternehmen Streifzüge durch die Wälder Neuenglands. American Bloomsbury ist das faszinierende Zeugnis dieser amourösen und intellektuellen Begegnungen. Es ist die Geschichte von Idealisten, die ihrer Zeit weit voraus waren.
Women and Journalism offers a rich and comprehensive analysis of the roles, status and experiences of women journalists in the United States and Britain. Drawing on a variety of sources and dealing with a host of women journalists ranging from nineteenth century pioneers to Martha Gellhorn, Kate Adie and Veronica Guerin, the authors investigate the challenges women have faced in their struggle to establish reputations as professionals. This book provides an account of the gendered structuring of journalism in print, radio and television and speculates about women's still-emerging role in online journalism. Their accomplishments as war correspondents are tracked to the present, including a study of the role they played post-September 11th.
In many countries, the majority of high profile journalists and editors remain male. Although there have been considerable changes in the prospects for women working in the media in the past few decades, women are still noticeably in the minority in the top journalistic roles, despite making up the majority of journalism students. In this book, Suzanne Franks looks at the key issues surrounding female journalists - from on-screen sexism and ageism to the dangers facing female foreign correspondents reporting from war zones. She also analyses the way that the changing digital media have presented both challenges and opportunities for women working in journalism and considers this in an international perspective. . In doing so, this book provides an overview of the ongoing imbalances faced by women in the media and looks at the key issues hindering gender equality in journalism.
The Third Edition of Women in Mass Communication provides a new generation of students with an insightful examination of women in the journalism and mass communication professions. In this seminal volume, editors Pamela Creedon and Judith Cramer offer ideas and directions for improving the status of women—and men— working in the field.
The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history.The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes.The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.
Es sind scheinbar gewöhnliche Alltagsszenen: ein nigerianisches Mädchen am Pool. Die Tochter einer Londoner Gangsterfamilie. Eine US-amerikanische Politikerin. Doch sie alle verbindet ein Geheimnis: Von heute auf morgen haben Frauen weltweit die Gabe – sie können mit ihren Händen starke elektrische Stromstöße aussenden. Ein Ereignis, das die Machtverhältnisse und das Zusammenleben aller Menschen unaufhaltsam, unwiederbringlich und auf schmerzvolle Weise verändern wird.
Each of the 18 women whose stories unfold in this unique work made heroic, profession-changing contributions to journalism. Covering nearly 300 years, Schilpp and Murphy have elevated these women either from the obscurity of historical footnotes (Elizabeth Timothy, 1700—1757) or from the frozen stuff of legend (Nellie Bly, Anne Newport Royall, Margaret Fuller); they have made their subjects working journalists whose careers and accomplishments were indeed heroic and inspiring, but human. Aside from Timothy, Royall, Fuller, and Elizabeth Cochrane Seaman (Nellie Bly), the authors have included Mary Katherine Goddard, colonial publisher; Sarah Josepha Hale, first women’s magazine editor; Cornelia Walter, editor of the Boston Transcript; and Jane Grey Swisshelm, abolitionist, feminist, and journalist. Others include Jane Cunningham Croly (“Jennie June”); Eliza Nicholson (Pearl Rivers), publisher of the Picayune; Ida Minerva Tarbell, muckraker; Elizabeth Meriwether Gilmer (Dorothy Dix); Ida B. Wells-Barnett, crusader; Winifred Black Bonfils (Annie Laurie), reformer; Rheta Child Dorr, freedom fighter; Dorothy Thompson, political columnist; Margaret Bourke-White, early photojournalist; and Marguerite Higgins, war correspondent.
The multiplicity of voices in this volume illustrate the contradictions inherent in multicultural and feminist perspectives on the media. This book breaks new ground by exploring intersecting variables of oppression, from the personal to the political. Compelling case studies illustrate how issues of gender, ethnicity, class, sexual orientation and global origin affect the media coverage, portrayal and reception of individuals. The chapters present theoretical perspectives plus examples of methodologies, focus on topics of current interest and represent a variety of media.
Women War Correspondents of World War II is an in-depth analysis of the life of woman correspondents. According to their own accounts, they encountered problems unique to their sex, but were adept at handling the problems and were professional in their work.
When Abigail Adams made her famous plea to John Adams to "remember the ladies," the role of advocacy on behalf of U.S. gender equality began its rocky and still uncompleted journey. In Women and the Press, Patricia Bradley examines the tensions that have arisen over the course of this journey as they relate to women in journalism. From their first entrance into the commercial press as sentimental writers, to the present day, the call for gender equality has had special meaning for female journalists. Is there a role, a responsibility, for advocacy, even subversion, in a newsroom setting? This is an account of how women in journalism sought to integrate the need for gender equality with the realities of the journalistic workplace.
Eileen M. Wirth never set out to be a groundbreaker for women in journalism, but if she wanted to report on social issues instead of society news, she had no alternative. Her years as one of the first women reporters at the Omaha World-Herald, covering gender barriers even as she broke a few herself, give Wirth an especially apt perspective on the women profiled in this book: those Nebraskans who, over a hundred years, challenged traditional feminine roles in journalism and subtly but surely changed the world. The book features remarkable women journalists who worked in every venue, from rural weeklies to TV. They fought for the vote, better working conditions for immigrants, and food safety at the turn of the century. They covered wars from the Russian Revolution to Vietnam. They were White House reporters and minority journalists who crusaded for civil rights. Though Willa Cather may be the only household name among them, all are memorable, their stories affording a firsthand look into the history of journalism and social change.
However, by providing news about women for women they made a distinctly female culture visible within newspapers, chronicling the increasing participation of women in public affairs. Women Who Made the News is the remarkable story of the achievements of those journalists who helped raise women's awareness of each other in the period ending with World War II."--BOOK JACKET.
As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.