Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
Featuring lucid and conversational prose and a well-chosen, reader-friendly array of succinct excerpts from canonical primary sources, ARCHETYPES OF WISDOM: AN INTRODUCTION TO PHILOSOPHY, 7E brings philosophy to life for readers. Extremely student focused, this text examines philosophies and philosophers while using numerous pedagogical illustrations, special features, and an inviting, approachable page design that make this oftentimes daunting subject more engaging. The Seventh Edition represents a careful revision, focused on enhancing the book's reader-praised search for wisdom motif. In particular, this edition features new coverage of Lao-Tzu; expanded, chapter-length treatment of Kierkegaard; and an engaging introduction to the complex landscape of philosophy in the twentieth century through material on two archetypal thinkers: Wittgenstein and Heidegger. An unmatched array of teaching and learning resources including an online resource center with dynamic, easy-to-use lecture and class preparation tools make ARCHETYPES OF WISDOM: AN INTRODUCTION TO PHILOSOPHY, 7E accessible to instructors and learners of all levels. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Justus Buchler, Karl Jaspers, and George Santayana
Author: Martin O. Yalcin
Publisher: Lexington Books
Naturalism’s Philosophy of the Sacred furthers the tradition of religious naturalism by offering an approach to the sacred through the metaphysical categories of ordinality and ontological parity put forward by twentieth-century American naturalist Justus Buchler. The book’s chief argument is that the most effective antidote to religious violence is an aesthetic interpretation of the sacred understood as an order in and of nature.
Race and Imperialism in Nineteenth Century America
Author: Christopher Freeburg
Publisher: Cambridge University Press
Category: Literary Criticism
By examining the unique problems that 'blackness' signifies in Moby-Dick, Pierre, 'Benito Cereno' and 'The Encantadas', Christopher Freeburg analyzes how Herman Melville grapples with the social realities of racial difference in nineteenth-century America. Where Melville's critics typically read blackness as either a metaphor for the haunting power of slavery or an allegory of moral evil, Freeburg asserts that blackness functions as the site where Melville correlates the sociopolitical challenges of transatlantic slavery and US colonial expansion with philosophical concerns about mastery. By focusing on Melville's iconic interracial encounters, Freeburg reveals the important role blackness plays in Melville's portrayal of characters' arduous attempts to seize their own destiny, amass scientific knowledge and perfect themselves. A valuable resource for scholars and graduate students in American literature, this text will also appeal to those working in American, African American and postcolonial studies.
Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
American Metempsychosis explores the ancient concept of metempsychosis as a precursor to the idea of history. In the writings of Ralph Waldo Emerson and Walt Whitman, metempsychosis serves as a form of American self-knowing - the effort to reshape identity through a self's heightened awareness of its own cognitive succession.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
In this book an international team of scholars from a wide range of academic fields and perspectives reevaluate the Greek goddess Aphrodite, her worship throughout the Mediterranean, manifold roles in Graeco-Roman antiquity, and reception through the Renaissance and beyond.
Marke, Julius J., Editor. A Catalogue of the Law Collection at New York University With Selected Annotations. New York: The Law Center of New York University, 1953. xxxi, 1372 pp. Reprinted 1999 by The Lawbook Exchange, Ltd. LCCN 99-19939. ISBN 1-886363-91-9. Cloth. $195. * Reprint of the massive, well-annotated catalogue compiled by the librarian of the School of Law at New York University. Classifies approximately 15,000 works excluding foreign law, by Sources of the Law, History of Law and its Institutions, Public and Private Law, Comparative Law, Jurisprudence and Philosophy of Law, Political and Economic Theory, Trials, Biography, Law and Literature, Periodicals and Serials and Reference Material. With a thorough subject and author index. This reference volume will be of continuous value to the legal scholar and bibliographer, due not only to the works included but to the authoritative annotations, often citing more than one source. Besterman, A World Bibliography of Bibliographies 3461.