The Invention of 'Folk Music' and 'Art Music'

Emerging Categories from Ossian to Wagner

Author: Matthew Gelbart

Publisher: Cambridge University Press

ISBN: 1139466089

Category: Music

Page: N.A

View: 9826

We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.

The Study of Folk Music in the Modern World

Author: Philip V. Bohlman

Publisher: Indiana University Press

ISBN: 9780253112606

Category: Social Science

Page: 184

View: 4433

"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.

Hamish MacCunn (1868-1916): A Musical Life

Author: Dr Jennifer L Oates

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409467686

Category: Music

Page: 286

View: 4027

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.

The Anglo-Scottish Ballad and its Imaginary Contexts

Author: David Atkinson

Publisher: Open Book Publishers

ISBN: 1783740272

Category: Literary Criticism

Page: 228

View: 8724

This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.

The Musical Traditions of Northern Ireland and Its Diaspora

Community and Conflict

Author: David Cooper

Publisher: Ashgate Publishing, Ltd.

ISBN: 9781409419204

Category: Music

Page: 186

View: 1909

Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.

Program Music

Author: Jonathan Kregor

Publisher: Cambridge University Press

ISBN: 1107032520

Category: Literary Criticism

Page: 332

View: 1018

This accessible introduction is the first English-language book in a generation to cover program music as idea and repertoire.

Schoenberg and Redemption

Author: Julie Brown

Publisher: Cambridge University Press

ISBN: 1139952072

Category: Music

Page: N.A

View: 1877

Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn.

Grainger the Modernist

Author: Suzanne Robinson,Kay Dreyfus

Publisher: Ashgate Publishing, Ltd.

ISBN: 1472420241

Category: Music

Page: 286

View: 8884

Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ‘hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ‘ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.

Brahms in the Home and the Concert Hall

Between Private and Public Performance

Author: Katy Hamilton,Natasha Loges

Publisher: Cambridge University Press

ISBN: 1316061329

Category: Music

Page: N.A

View: 9285

Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.

Volkstümlichkeit und Nationbuilding

Zum Einfluss der Musik auf den Einigungsprozess der deutschen Nation im 19. Jahrhundert

Author: Miriam Noa

Publisher: Waxmann Verlag

ISBN: 3830977301

Category: Art

Page: 377

View: 2570

Konnten 'Volkslieder' dazu beitragen, die zersplitterte deutsche Nation schon vor der Reichsgründung 1871 zusammenzuführen? Diese Arbeit zeigt: Sie konnten. Und sie zeigt auch, dass es nur etwa ein Dutzend Lieder waren, die den Kern einer Art gemeinsamen deutschen Kanons ausmachten. Ausgehend von Rousseaus Hinwendung zu den sozialen 'Grundschichten' des Volkes über die Sammlungen von (angeblicher) Volkspoesie durch Herder, Arnim, Brentano oder die Brüder Grimm wird in dieser Studie ein Bogen gespannt zu Schubert, Beethoven, Schumann und Brahms, die sich in ihren Kompositionen den Idealen von Volk und Nation zuwandten. Doch bei der Darstellung verschiedener kulturgeschichtlicher Optionalitäten rücken in diesem Buch auch weniger bekannte Akteure in den Fokus. Allen gemein ist aus heutiger Sicht die Erkenntnis von Musik als Konstrukteurin nationaler kultureller Identität. Miriam Noa wurde 1982 in Stuttgart geboren. Magisterstudium der Musikwissenschaft, Geschichte und Deutschen Philologie in Berlin und Lyon; M.Ed./Erstes Staatsexamen Musik und Geschichte an der Universität Potsdam. 2012 Promotion mit der vorliegenden Arbeit am Lehrstuhl Musiksoziologie der HU Berlin. Stipendiatin der Friedrich-Ebert-Stiftung und aktiv in der Bildungs- und Kulturpolitik.

The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980

Author: Gillian Mitchell

Publisher: Routledge

ISBN: 1317022505

Category: Music

Page: 232

View: 5468

This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.

Folk City

New York and the American Folk Music Revival

Author: Stephen Petrus,Ronald D. Cohen

Publisher: Oxford University Press, USA

ISBN: 0190231025

Category: Music

Page: 320

View: 3560

From Washington Square Park and the Gaslight Cafe(c) to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. 'Folk City', by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America. The musical form blossomed particularly in Greenwich Village, the famed neighborhood that had long nurtured unconventional art, progressive politics, and countercultural trends. But the phenomenon was not inevitable. After all, folk music was largely rural in origins, the songs of peasants in the Old World and then of sailors, cowboys, lumberjacks, coal miners, chain gangs, and others across the United States. How it became urban and modern is a fascinating story, one that involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers-not to mention the musicians and their audiences.0In this account, Petrus and Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists spaces to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social convention in the era of Eisenhower, Kennedy, and Johnson.

Folk Music: A Very Short Introduction

Author: Mark Slobin

Publisher: Oxford University Press

ISBN: 0199753083

Category: Music

Page: 160

View: 553

This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly interconnected, yet still localized world.

Music and German National Identity

Author: Celia Applegate,Pamela Potter

Publisher: University of Chicago Press

ISBN: 9780226021317

Category: Music

Page: 319

View: 9758

Is it merely a coincidence that the three "Bs" of classical music—Bach, Beethoven, Brahms—are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book explores the questions of how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated as "the most German art." Drawing on the expertise of leading scholars in German history, musicology, and German literature, the essays assembled here examine philosophy, literature, politics, and social currents, as well as the creation and performance of folk music, art music, church music, jazz, and pop to explore the ways in which music has continued to play a central role in the German national imagination and in shaping German identity.

Who Needs Classical Music?

Cultural Choice and Musical Value

Author: Julian Johnson

Publisher: Oxford University Press

ISBN: 019983119X

Category: Music

Page: 152

View: 8474

During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.

Serbian and Greek Art Music

A Patch to Western Music History

Author: Yannis Belonis,Kaitē Rōmanou

Publisher: Intellect Books

ISBN: 1841502782

Category: Music

Page: 214

View: 1797

Serbian and Greek Art Music is the first ever book in the English language to examine the assimilation and development of western art music in Serbia and Greece during the nineteenth and twentieth centuries. Music education, music life and the creation of the two neighbouring nations since they gained freedom from the Ottomans in the nineteenth century are themes that reverberate through the volume. The book relates the efforts of local musicians to synchronize their musical environment with the West and achieve the inclusion of Serbian and Greek music in western music history, an aim that see.

Political Folk Music in America from Its Origins to Bob Dylan

Author: Lawrence J. Epstein

Publisher: McFarland

ISBN: 0786456019

Category: Social Science

Page: 213

View: 3826

Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.

American Ballads and Folk Songs

Author: Alan Lomax

Publisher: Courier Corporation

ISBN: 9780486282763

Category: Music

Page: 625

View: 946

Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad Man Ballad, Jesse James, Down in the Valley, The Bear in the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and many more.

The Invention of Beethoven and Rossini

Historiography, Analysis, Criticism

Author: Nicholas Mathew,Benjamin Walton

Publisher: Cambridge University Press

ISBN: 1107651239

Category: Music

Page: 400

View: 9685

Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.

The Invention of Art

A Cultural History

Author: Larry Shiner

Publisher: University of Chicago Press

ISBN: 9780226753430

Category: Art

Page: 362

View: 8252

"Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of ine art is a modern invention - and that the lines drawn between art and craft emerged only as the result of key European social transformations during the long eighteenth century"--Publisher's description.