Exemplary reprint of 16th-century classic. Covers classical architectural remains, Renaissance revivals, classical orders, more. 216 plates. ". . . the most influential book published in the history of architecture." — Art in America.
Wherein, After a Short Treatise of the Five Orders, Those Observations That Are Most Necessary in Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples Are Treated of
Author: ANDREA. PALLADIO
Publisher: Gale Ecco, Print Editions
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T040073 The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus." Translated by Isaac Ware. London: published by Isaac Ware, 1738. ,110p., plates; 2°
The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
This is the only publication that presents a modern interpretation of the Classical Orders. The new edition of this successful title now includes the proportions in both metric and imperial measurements to make the orders more accessible and to provide a valuable reference for designers. The inclusion of both 100-part and 96-part systems of proportion is underpinned by an essay on James Gibbs - one of the 18th century authors of standardized proportioning systems - and his influence in America. Along with additional plates, this book gives a clear introduction to those not familiar with the classical genre and is an easy to follow guide which assists architects, interior designers and conservators with the quality of their design.
A witty, erudite celebration of fifty great Italian cultural achievements that have significantly influenced Western civilization from the authors of What Are the Seven Wonders of the World? “Sprezzatura,” or the art of effortless mastery, was coined in 1528 by Baldassare Castiglione in The Book of the Courtier. No one has demonstrated effortless mastery throughout history quite like the Italians. From the Roman calendar and the creator of the modern orchestra (Claudio Monteverdi) to the beginnings of ballet and the creator of modern political science (Niccolò Machiavelli), Sprezzatura highlights fifty great Italian cultural achievements in a series of fifty information-packed essays in chronological order. From the Trade Paperback edition.
"Forty Ways to Think about Architecture" provides an introduction to some of the ways in which architectural history and theory are being approached today. This collection takes in a total of 40 essays covering key subjects, ranging from memory and heritage to everyday life, building materials and city spaces. As well as critical theory, philosophy, literature and experimental design, it refers to more immediate and topical issues in the built environment, such as globalisation, localism, regeneration and ecologies. The entries reflect on architecture from a range of perspectives.
Undoubtedly one of the most accomplished architects of the Renaissance, Andrea Palladio (1508-1580) is also the most widely imitated. Drawing inspiration from classical architecture, he created harmoniously proportioned villas and palaces in the Italian Veneto region. The influence of his work was wide-ranging, inspiring stately homes across Europe and America, including Thomas Jefferson's Monticello. Because of the extent of the impact of his work, it is difficult to determine which buildings are true Palladios those actually designed by him and completed in his lifetime. Andrea Palladio: The Complete Illustrated Works catalogs the body of work truly belonging to Palladio. All 66 works definitively attributed to Palladio are lavishly illustrated here with over 250 contemporary photographs by Pino Guidolotti, and accompanied by extended captions that provide historical and architectural references and document their current condition. The author has also included references from Palladio's famous treatise The Four Books of Architecture. With a brilliant introduction by architectural historian Howard Burns and a comprehensive bibliography of works on Palladio edited by Almut Goldhahn, this beautifully written and sumptuously illustrated compendium is a must for architectural enthusiasts and historians alike.
The revered architectural reference, updated with contemporaryexamples and interactive 3D models The Interactive Resource Center is an online learningenvironment where instructors and students can access the toolsthey need to make efficient use of their time, while reinforcingand assessing their understanding of key concepts for successfulunderstanding of the course. An access card with redemption codefor the online Interactive Resource Center isincluded with all new, print copies or can bepurchased separately. (***If you rent or purchase aused book with an access code, the access code may have beenredeemed previously and you may have to purchase a new access code-ISBN: 9781118986837). The online Interactive Resource Center containsresources tied to the book, such as: Interactive Animations highlighting key concepts Photo Gallery of architectural precedents illustrated in thebook Flashcards for focused learning Architecture: Form, Space, and Order, Fourth Edition isthe classic introduction to the basic vocabulary of architecturaldesign, updated with new information on emerging trends and recentdevelopments. This bestselling visual reference helps both studentsand professionals understand the vocabulary of architectural designby examining how space and form are ordered in the environment. Essential and timeless, the fundamental elements of space andform still present a challenge to those who crave a deeperunderstanding. Taking a critical look at the evolution of spaces,Architecture distills complex concepts of design into aclear focus that inspires, bringing difficult abstractions to life.The book is illustrated throughout to demonstrate the conceptspresented, and show the relationships between fundamental elementsof architecture through the ages and across cultures. Topicsinclude: Primary elements and the principles of space design Form and space, including light, view, openings, andenclosures Organization of space, and the elements and relationships ofcirculation Proportion and scale, including proportioning systems andanthropometry