Author: Thomas Hardy
Publisher: OUP Oxford
ISBN: 9780198126225
Category: Literary Collections
Page: 368
View: 9289
Winner of the Thomas Hardy Society Book Prize.
Explores Thomas Hardy's engagement with Victorian legal debates in his prose fiction. Thomas Hardy's fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy's role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes.The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre's engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction.
Different conceptions of the relationships between unity and multiplicity may be presented by varying the three distances inherent in dialogue poetry, each of which represents a degree of differentiation: the distance between the speakers, the distance between the poet and the speakers, and the distance between the speakers and the reader."
This timely book describes and analyses a neglected area of the history of concern for animal welfare, discussing the ends and means of the capture, transport, housing and training of performing animals, as well as the role of pressure groups, politics, the press and vested interests. It examines primary source material of considerable interdisciplinary interest, and addresses the influence of scientific and veterinary opinion and the effectiveness of proposals for supervisory legislation, noting the current international status and characteristics of present-day practice within the commercial sector. Animal performance has a long history, and at the beginning of the twentieth century this aspect of popular entertainment became the subject not just of a major public controversy but also of prolonged British parliamentary attention to animal welfare. Following an assessment of the use of trained animals in the more distant historical past, the book charts the emergence of criticism and analyses the arguments and evidence used by the opponents and proponents in Britain from the early twentieth century to the present, noting comparable events in the United States and elsewhere.
"Examining Austin Harrison as editor--his writings and opinions, his public life and relations--Vogeler offers a new perspective on British literary culture and political journalism in the years just before, during, and after the First World War and traces complex relationships between a son and his famous father"--Provided by publisher.
Drawing on a broad concept of desire, informed by poststructuralist theorists this book examines the range of Hardy's work. It demonstrates the sustained nature of his thinking about desire, its relationship to the social and symbolic network in which human subjectivity is constituted and art's potential to offer fulfilment to the desiring subject.
During the 1970s and the early 1980s Peter Ackroyd wrote countless book reviews and articles for the Spectator, on literature, film and a number of social and cultural issues. The Collection offers a selection of these incisive and entertaining pieces which established Ackroyd's reputation as a writer. Since 1986 Ackroyd has been chief book reviewer for The Times, and in this capacity he has reviewed some of the most important biographies and novels published over the last fifteen years. A selection of his Times reviews are included here. These reviews, and his articles for the Sunday Times, display his characteristic attitudes to literature and art. They also throw interesting lights on his own work as a prize-winning novelist and biographer. The Collection also contains a number of Ackroyd's interesting and provocative lectures on 'The Englishness of English literature', 'London Luminaries and Cockney Visionaries', 'William Blake' and 'The Nature of Time'. In addition, several essays on subjects such as the art of biography, contemporary painters such as Frank Auerbach and Ackroyd's own writing have been included. Finally, three of Ackroyd's short stories have been reproduced, one of which was his first published work of fiction. The Collection is a revealing and fascinating anthology of Ackroyd's ideas and preoccupations. As such, it is the ideal companion volume to his novels and biographies and contains much previously unpublished material.
PREFATORY NOTE The following story, the first published by the author, was written nineteen years ago, at a time when he was feeling his way to a method. The principles observed in its composition are, no doubt, too exclusively those in which mystery, entanglement, surprise, and moral obliquity are depended on for exciting interest; but some of the scenes, and at least one of the characters, have been deemed not unworthy of a little longer preservation; and as they could hardly be reproduced in a fragmentary form the novel is reissued complete—the more readily that it has for some considerable time been reprinted and widely circulated in America. January 1889. To the foregoing note I have only to add that, in the present edition of 'Desperate Remedies,' some Wessex towns and other places that are common to the scenes of several of these stories have been called for the first time by the names under which they appear elsewhere, for the satisfaction of any reader who may care for consistency in such matters. This is the only material change; for, as it happened that certain characteristics which provoked most discussion in my latest story were present in this my first—published in 1871, when there was no French name for them it has seemed best to let them stand unaltered. T.H. February 1896.
A collection of the most brilliant and sparkling poems by hardy has been presented in these pages. Through his picturesque descriptions, a beautiful amalgamation of thoughts and emotions engulfs the readers. A spell-binding work!
Dick Dewy lives in the village of Upper Mellstock. He sings in the choir with his father and grandfather. Then one day a new school teacher, Fancy Day, comes to the village. Soon Dick Dewy is in love with her, but so are Mr. Shiner and Mr. Maybold. Who will Fancy Day choose? A Penguin Reader Level 2 with a vocabulary of 600 words.
When the local Parson Hints that the humble Durbeyfield family is descended from the noble d'Urberville line, it falls to Tess to claim kinship ad seek a portion of the family fortune. Alec d'Urberville is only too keen to help his beautiful and spirited " cousin ", but Tess realizes too late the heavy price she will have to pay.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher's effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house.