Many books have appeared over the years about the Beatles lyrics -- about the words of those songs which the whole world knows and sings, and will sing for ever, as long as we have the breath to hum the tunes. But no one has ever tried to track down and publish the original versions of the classic songs -- showing the words in the Beatles' own handwriting, how they first wrote them, how they scribbled them down on pieces of paper or backs of envelopes, with all the crossings out and changes. By revealing and publishing these original manuscripts for the first time we gain a unique insight into the creative process of Lennon and McCartney, how they did it, what they were thinking, how they changed their minds, and then came up with the words we now all know. Such a book has never been published, firstly because of copyright reasons, with ownership divided between Michael Jackson and Sony, and secondly because no one has been able to track them all down. The author of the only authorised biography of The Beatles, Hunter Davies, has sought out nearly one hundred Beatles lyrics. His expert introduction describes the creativity of the greatest ever rock band -- then he lists and illustrates each song, in chronological order, putting each song in context: what the Beatles were doing at the time, how and when they came to write and then record it, how the original version differs from the final one. The wonder is that almost every Beatles song has a great story behind it -- whether it is 'In My Life', 'For No One', 'Yesterday', 'Eleanor Rigby', or 'Yellow Submarine'.
A must-own souvenir for all Beatles fans and songwriters! The Beatles Lyrics is an amazing tribute to the most influential band in pop history. For the first time ever together in print, it publishes the lyrics to 192 songs by the Fab Four. Also includes a complete discography, lots of great full-page photos throughout the book, and a song title index.
The Beatles: Illustrated Lyrics is the only major collection of illustrated The Beatles: Illustrated Lyrics is the only major collection of illustrated The Beatles lyrics available. Originally published in 1969, this book has become a symbol of an era, a must-have for Beatles fans and a brilliant tribute to the band that changed a generation. Quotes from John, Paul, George and Ringo provide candid, witty, insightful commentary on the songs and their origins. Clarification of controversial lyrics is offered by the only true authorities, The Beatles themselves. All the famous songs are included – from Can’t Buy Me Love and A Hard Day’s Night to Rocky Raccoon, Revolver and Yellow Submarine. Lavish full colour illustrations by internationally famous artists and specially commissioned photographs reflect the psychedelic world The Beatles lived in and the whole generation and pop culture they influenced.
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Augsburg, language: English, abstract: Most people consider metaphors to be merely linguistic devises that are used for poetic purposes. A standard dictionary definition of metaphor is quite similar. The Oxford Dictionary defines metaphor as "a word or phrase used to describe sb/sth else[...]." This definition falls in line with a layman's notion of metaphors being purely linguistic with the sole purpose of functioning as decorative features. However, metaphors go much deeper than that. Metaphors are in fact fundamental components of human cognition that are not just linguistic but conceptual in nature. Through metaphors, patterns of thought in a society are encoded and shared. So in order to show that metaphors share patterns of thought in a society, songs of the Beatles shall be examined, seeing as the Beatles are one the most popular and successful bands of our time with fans from all around the world. The metaphors used in the Beatles' songs are not merely figures of speech or stylistic devises, but cognitive phenomena that share patterns of thought in a society. The Beatles songs are a great medium to help prove that conceptual systems play a paramount role in establishing our everyday realities because of they are so widely popular. This paper seeks to show that Lakoff's and Johnson's notion of metaphors representing a way of thinking, as made popular in their Conceptual Metaphor Theory, also holds true for metaphors in the Beatles' songs. Drawing upon Lakoff's and Johnson's Conceptual Metaphor Theory, this paper also attempts to illuminate how the Beatles success is, at least partly, due to the systematicity of metaphorical concepts. Even though most people are not normally aware of conceptual systems present in our society, most of these conceptual systems are indeed metaphorical in nature and determine to a large extent our percept
In The Beatles In Mono, Andrew Hickey examines, track by track, the Beatles' work as it was originally created, in mono. Going through the 2009 The Beatles In Mono box set, he looks at the band's influences, their musical techniques, and the progression of their career from Love Me Do through to Get Back. As a bonus, this edition also contains appendices giving brief overviews of the stereo-only material the band recorded, as well as 'non-canon' albums like the Anthology series, Live At The BBC and Liverpool Sound Collage. A splendid time is guaranteed for all!
Walter Everett Associate Professor of Music in Music Theory University of Michigan
The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events. Upon their arrival in the U.S., the Beatles wore sharply tailored suits and cast themselves as adorable, accessible teen heartthrobs. By the end of the decade, they had absorbed the fashion and consciousness of the burgeoning counterculture and were using their interviews, media events, and music to comment on issues such as the Vietnam War, drug culture, and civil rights. Frontani traces the steps that led to this change and comments on how the band's mantra of essential optimism never wavered despite the evolution of its media profile.