One of the major documents of modern European civilization, Robert Burton's astounding compendium, a survey of melancholy in all its myriad forms, has invited nothing but superlatives since its publication in the seventeenth century. Lewellyn Powys called it "the greatest work of prose of the greatest period of English prose-writing," while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton's spectacular verbal labyrinth is sure to delight, instruct, and divert today's readers as much as it has those of the past four centuries.
Few English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity that requires cultivation and management rather than cure. Refuting the prevailing historiography of anxious early modern embodiment that cites Burton as a key witness, Shirilan submits that the Anatomy rejects contemporary Neostoic and Puritan approaches to melancholy. She reads Burton’s erraticism, opacity, and theatricality as modes of resistance against demands for constancy, transparency, and plainness in the popular literature of spiritual and moral hygiene of his day. She shows how Burton draws on rhetorical, theological, and philosophical traditions that privilege the transformative powers of the imagination in order to celebrate melancholic impressionability for its capacity to inspire and engender empathy, charity, and faith.
Nichts auf der Welt ist schwieriger als die Liebe. Das erleben Fermina Daza und Doktor Juvenal Urbino tagtäglich in ihrer mehr als fünfzigjährigen Ehe. Und niemand erfährt das schmerzlicher als Fermina Dazas ewiger Verehrer Florentino Ariza, der 51 Jahre, 9 Monate und 4 Tage auf sie gewartet hat. Schwärmerisch hat er in poetischen Briefen um sie geworben, sie in aller Keuschheit gewonnen und wieder verloren, aber nie aufgehört, sie zu lieben. Während Fermina Daza an der Seite ihres Mannes, eines hoch geachteten Arztes, ein großbürgerliches Leben führt, bringt es Florentino Ariza durch beruflichen Erfolg zu großem Wohlstand. Er ist ein nimmermüder Schürzenjäger, im Herzen aber Fermina Daza immer treu geblieben, und noch am Abend der Beerdigung ihres Mannes erklärt er ihr erneut seine Liebe.Ein großer Liebesroman, eine Geschichte voller Lebenskraft und Poesie. „Ohne die reichen Bücher von García Márquez wäre unsere Welt entschieden ärmer.“ Frankfurter Allgemeine Zeitung
Singapur 1937. Walter Blackett, Direktor eines britischen Kautschukunternehmens, weiß sich von der bewährten Ordnung britischer Kolonialherrschaft getragen, als er die Feierlichkeiten zum hundertjährigen Jubiläum seiner Firma ausrichtet. Noch ist die Welt, zumindest für die Engländer, in Ordnung, haben die Da Dousa Sisters ihre Gesangsauftritte, ist der zerzauste Hund La Condition humaine nur halbtot und gibt es standesgemäße Paraden und Feste. Und doch scheint am Vorabend des Zweiten Weltkriegs im Inselstaat einiges in Schieflage geraten zu sein : Kaum ist ein Streik der Einheimischen niedergeschlagen, flammt er an anderem Ort wieder auf, Walter Blacketts Sohn engagiert zur Abendunterhaltung ausgerechnet einen Fakir, seine Tochter Joan tändelt mit den falschen Verehrern, während der junge Matthew, Oxfordstudent und rechtmäßiger Erbe der Firma, sich als naiver Weltverbesserer erweist. Das Geschäft mit dem Kautschuk boomt, nicht zuletzt wegen des Weltkriegs und der Marktmanipulation durch Blackett selbst, doch als japanische Flieger das völlig unvorbereitete Singapur bombardieren, kann der Schock größer nicht sein. Während Matthew herauszufinden versucht, was es mit dem ›Würgegriff von Singapur‹ auf sich hat, ist der Mythos von der Uneinnehmbarkeit Singapurs bereits brutal zerschlagen.
Author: RANDOM HOUSE INC,Various,New York Review Book
Publisher: NYRB Classics
The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dante Alighieri The Ten Thousand Things by Maria Dermout The Unpossessed by Tess Slesinger The Middle of the Journey by Lionel Trilling The World of Odysseus by M.I. Finley The Book of My Life by Girolamo Cardano The Moon and the Bonfires by Cesare Pavese Paris Stories by Mavis Gallant Troubles by J.G. Farrell In the Freud Archives by Janet Malcolm The Private Memoirs and Confessions of a Justified Sinner by James Hogg A Sorrow Beyond Dreams by Peter Handke The Fountain Overflows by Rebecca West Prisoner of Love by Jean Genet We Always Treat Women Too Well by Raymond Queneau Witch Grass by Raymond Queneau The Stuffed Owl by D.B. Wyndham Lewis To the Finland Station by Edmund Wilson The Vet's Daughter by Barbara Comyns Walter Benjamin by Gershom Scholem Fancies and Goodnights by John Collier Shelley: The Pursuit by Richard Holmes In Parenthesis by David Jones Peking Story by David Kidd Rene Leys by Victor Segalen Black Sun by Geoffrey Wolff Dirty Snow by Georges Simenon The Invention of Morel by Adolfo Bioy Casares The Day of the Owl by Leonardo Sciascia Equal Danger by Leonardo Sciascia Monsieur Proust by Celeste Albaret Three Bedrooms in Manhattan by Georges Simenon The Tenants of Moonbloom by Edward Lewis Wallant The Towers of Trebizond by Rose MacAulay Varieties of Exile by Mavis Gallant My Century by Aleksander Wat The World I Live In by Helen Keller American Humor by Constance Rourke The Ivory Tower by Henry James The Gallery by John Horne Burns Paris and Elsewhere by Richard Cobb Apartment in Athens by Glenway Wescott Envy by Yuri Olesha The Moro Affair by Leonardo Sciascia Nights in the Gardens of Brooklyn by Harvey Swados Part of Our Time by Murray Kempton The Case of Comrade Tulayev by Victor Serge Boredom by Alberto Moravia Contempt by Alberto Moravia The Diary of a Rapist by Evan S. Connell Monsieur Monde Vanishes by Georges Simenon The Siege of Krishnapur by J.G. Farrell W. H. Auden's Book of Light Verse by W. H. Auden Asleep in the Sun by Adolfo Bioy Casares The Bog People by P.V. Glob Moravagine by Blaise Cendrars The Selected Poems of Osip Mandelstam by Osip Mandelstam Cassandra at the Wedding by Dorothy Baker The Furies by Janet Hobhouse Hons and Rebels by Jessica Mitford Indian Summer by William Dean Howells Memoirs of Hecate County by Edmund Wilson The Inferno of Dante Alighieri by Dante Alighieri The Year of the French by Thomas Flanagan Flaubert and Madame Bovary by Francis Steegmuller The Late Mattia Pascal by Luigi Pirandello The Life of Lazarillo de Tormes by W.S. Merwin The Peregrine by J.A. Baker Blood on the Forge by William Attaway The Child by Jules Valles The Lord Chandos Letter by Hugo Von Hofmannsthal The Singapore Grip by J.G. Farrell Count D'Orgel's Ball by Raymond Radiguet War and the Iliad by Simone Weil Anglo-Saxon Attitudes by Angus Wilson The Crisis of the Negro Intellectual by Harold Cruse Kaputt by Curzio Malaparte Memed, My Hawk by Yashar Kemal The Notebooks of Joseph Joubert by Joseph Joubert The Thirty Years War by C.V. Wedgwood Shakespeare by Mark Van Doren The Stalin Front by Gert Ledig Tropic Moon by Georges Simenon Between the Woods and the Water by Patrick Leigh Fermor A Time of Gifts by Patrick Leigh Fermor Jejuri by Arun Kolatkar The Man Who Watched Trains Go By by Georges Simenon Mouchette by Georges Bernanos Warlock by Oakley Hall The New York Stories of Henry James by Henry James Chess Story by Stefan Zweig What's for Dinner? by James Schuyler English, August by Upamanyu Chatterjee Conundrum by Jan Morris Life and Fate by Vasily Grossman Mani by Patrick Leigh Fermor Roumeli by Patrick Leigh Fermor Beware of Pity by Stefan Zweig Stoner by John Williams The Big Clock by Kenneth Fearing Red Lights by Georges Simenon The Jeffersonian Transformation by Henry Adams Love in a Fallen City by Eileen Chang A Savage War of Peace by Alistair Horne Clark Gifford's Body by Kenneth Fearing The Strangers in the House by Georges Simenon Pages from the Goncourt Journals by Edmond and Jules de Goncourt They Burn the Thistles by Yashar Kemal Born Under Saturn by Rudolf and Margot Wittkower The Stray Dog Cabaret by Edited by Honor Moore and Catherine Ciepiela Butcher's Crossing by John Williams Dante by Erich Auerbach The Slaves of Solitude by Patrick Hamilton That Awful Mess on the Via Merulana by Carlo Emilio Gadda The Engagement by Georges Simenon The Enchanted April by Elizabeth von Arnim The Slynx by Tatyana Tolstaya White Walls by Tatyana Tolstaya Memoirs of Montparnasse by John Glassco The Dud Avocado by Elaine Dundy The Education Of A Gardener by Russell Page The Book of Ebenezer Le Page by G. B. Edwards Sunflower by Gyula Krudy Novels in Three Lines by Felix Feneon The Goshawk by T. H. White The New York Stories of Edith Wharton by Edith Wharton A Time to Keep Silence by Patrick Leigh Fermor All About H. Hatterr by G. V. Desani Rogue Male by Geoffrey Household Memoirs of an Anti-Semite by Gregor von Rezzori Soul by Andrey Platonov Sheppard Lee, Written by Himself by Robert Montgomery Bird Poems of the Late T'ang by A. C. Graham Twenty Thousand Streets Under the Sky by Patrick Hamilton Unforgiving Years by Victor Serge Belchamber by Howard Sturgis A Journey Round My Skull by Frigyes Karinthy The Widow by Georges Simenon The Post-Office Girl by Stefan Zweig Afloat by Guy de Maupassant The Family Mashber by Der Nister The Summer Book by Tove Jansson Names on the Land by George R. Stewart Miami and the Siege of Chicago by Norman Mailer Inverted World by Christopher Priest My Fantoms by Theophile Gautier Stones of Aran: Pilgrimage by Tim Robinson In Hazard by Richard Hughes Victorine by Maude Hutchins Grief Lessons by Euripides Rock Crystal by Adalbert Stifter The Liberal Imagination by Lionel Trilling The Queue by Vladimir Sorokin Ringolevio by Emmett Grogan Defeat: Napoleon’s Russian Campaign by Philippe-Paul de Segur Don't Look Now by Daphne Du Maurier The Chrysalids by John Wyndham Pinocchio by Carlo Collodi The Snows of Yesteryear by Gregor von Rezzori The Rider on the White Horse by Theodor Storm School for Love by Olivia Manning Chaos and Night by Henry de Montherlant A Meaningful Life by L. J. Davis Short Letter, Long Farewell by Peter Handke Slow Homecoming by Peter Handke Season of Migration to the North by Tayeb Salih The Foundation Pit by Andrey Platonov The Complete Fiction by Francis Wyndham The One-Straw Revolution by Masanobu Fukuoka The Old Man and Me by Elaine Dundy Summer Will Show by Syliva Townsend Warner Niki by Tibor Dery Hard Rain Falling by Don Carpenter Stones of Aran: Labyrinth by Tim Robinson The Cost of Living by Mavis Gallant Memories of the Future by Sigizmund Krzhizhanovsky Poem Strip by Dino Buzzati No Tomorrow by Vivant Denon The Way of the World by Nicolas Bouvier
Psychiatry's Transformation of Natural Anxieties into Mental Disorders
Author: Allan V. Horwitz, PhD,Jerome C. Wakefield, DSW, PhD
Publisher: Oxford University Press
Category: Health & Fitness
Thirty years ago, it was estimated that less than five percent of the population had an anxiety disorder. Today, some estimates are over fifty percent, a tenfold increase. Is this dramatic rise evidence of a real medical epidemic? In All We Have to Fear, Allan Horwitz and Jerome Wakefield argue that psychiatry itself has largely generated this "epidemic" by inflating many natural fears into psychiatric disorders, leading to the over-diagnosis of anxiety disorders and the over-prescription of anxiety-reducing drugs. American psychiatry currently identifies disordered anxiety as irrational anxiety disproportionate to a real threat. Horwitz and Wakefield argue, to the contrary, that it can be a perfectly normal part of our nature to fear things that are not at all dangerous--from heights to negative judgments by others to scenes that remind us of past threats (as in some forms of PTSD). Indeed, this book argues strongly against the tendency to call any distressing condition a "mental disorder." To counter this trend, the authors provide an innovative and nuanced way to distinguish between anxiety conditions that are psychiatric disorders and likely require medical treatment and those that are not--the latter including anxieties that seem irrational but are the natural products of evolution. The authors show that many commonly diagnosed "irrational" fears--such as a fear of snakes, strangers, or social evaluation--have evolved over time in response to situations that posed serious risks to humans in the past, but are no longer dangerous today. Drawing on a wide range of disciplines including psychiatry, evolutionary psychology, sociology, anthropology, and history, the book illuminates the nature of anxiety in America, making a major contribution to our understanding of mental health.