Signs Taken for Wonders

On the Sociology of Literary Forms

Author: Franco Moretti

Publisher: Verso

ISBN: 9781844670567

Category: Literary Collections

Page: 273

View: 9225

A compelling analysis of the relations between high and mass culture, from tragedy and horror to detective fiction and classical realism.

The One vs. the Many

Minor Characters and the Space of the Protagonist in the Novel

Author: Alex Woloch

Publisher: Princeton University Press

ISBN: 140082575X

Category: Literary Criticism

Page: 408

View: 1804

Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.

The Dread of Difference

Gender and the Horror Film

Author: Barry Keith Grant

Publisher: University of Texas Press

ISBN: 1477302425

Category: Performing Arts

Page: 560

View: 8923

"The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It's rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies."—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality "An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films."—Choice "An extremely useful introduction to recent thinking about gender issues within this genre."—Film Theory

Film and the Holocaust

New Perspectives on Dramas, Documentaries, and Experimental Films

Author: Aaron Kerner

Publisher: Bloomsbury Publishing USA

ISBN: 1441108939

Category: Performing Arts

Page: 352

View: 2297

When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This anxiety is, at least in part, rooted in Theodor Adorno's dictum that "To write poetry after Auschwitz is barbaric." And despite the fact that he later reversed his position, the conservative opposition to all "artistic" representations of the Holocaust remains powerful, leading to the insistent demand that it be represented, as it really was. And yet, whether it's the girl in the red dress or a German soldier belting out Bach on a piano during the purge of the ghetto in Schindler's List, or the use of tracking shots in the documentaries Shoah and Night and Fog, all genres invent or otherwise embellish the narrative to locate meaning in an event that we commonly refer to as "unimaginable." This wide-ranging book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.

Queer Horror Film and Television

Sexuality and Masculinity at the Margins

Author: Darren Elliott-Smith

Publisher: I.B.Tauris

ISBN: 1786721376

Category: Performing Arts

Page: 272

View: 2876

In recent years, the representation of alternative sexuality in the horror film and television has ‘outed’ itself from the shadows from which it once lurked via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced. In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures. Furthermore, he examines the works of significant queer horror film and television producers and directors to reveal gay men’s anxieties about: acceptance and assimilation into Western culture, the perpetuation of self-loathing and gay shame, and further anxieties surrounding associations shameful femininity.

The Transnational Fantasies of Guillermo del Toro

Author: A. Davies,D. Shaw,D. Tierney

Publisher: Springer

ISBN: 1137407840

Category: Performing Arts

Page: 210

View: 4992

Offering a multifaceted approach to the Mexican-born director Guillermo del Toro, this volume examines his wide-ranging oeuvre and traces the connections between his Spanish language and English language commercial and art film projects.

Animalia Americana

Animal Representations and Biopolitical Subjectivity

Author: Colleen Glenney Boggs

Publisher: Columbia University Press

ISBN: 023153194X

Category: Nature

Page: 312

View: 8269

Colleen Glenney Boggs puts animal representation at the center of the making of the liberal American subject. Concentrating on the formative and disruptive presence of animals in the writings of Frederick Douglass, Edgar Allan Poe, and Emily Dickinson, Boggs argues that animals are critical to the ways in which Americans enact their humanity and regulate subjects in the biopolitical state. Biopower, or a politics that extends its reach to life, thrives on the strategic ambivalence between who is considered human and what is judged as animal. It generates a space of indeterminacy in which animal representations intervene to define and challenge the parameters of subjectivity. The renegotiation of the species line produces a tension that is never fully regulated. Therefore, as both figures of radical alterity and the embodiment of biopolitics, animals are simultaneously exceptional and exemplary to the biopolitical state. An original contribution to animal studies, American studies, critical race theory, and posthumanist inquiry, Boggs thrillingly reinterprets a long and highly contentious human-animal history.

Angus & Robertson and the British Trade in Australian Books, 19301970

The Getting of Bookselling Wisdom

Author: Jason D. Ensor

Publisher: Anthem Press

ISBN: 1783081058

Category: History

Page: 268

View: 9699

‘Angus & Robertson and the British Trade in Australian Books, 1930–1970’ traces the history of the printed book in Australia, particularly the production and business context that mediated Australia’s literary and cultural ties to Britain for much of the twentieth century. This study focuses on the London operations of one of Australia’s premier book publishers of the twentieth century: Angus & Robertson. The book argues that despite the obvious limitations of a British-dominated market, Australian publishers had room to manoeuvre in it. It questions the ways in which Angus & Robertson replicated, challenged or transformed the often highly criticised commercial practices of British publishers in order to develop an export trade for Australian books in the United Kingdom. This book is the answer to the current void in the literary market for a substantial history of Australia’s largest publisher and its role in the development of Australia’s export book trade.

Transgressions of the Feminine

Tragedy, Enlightenment and the Figure of Woman in Classical German Drama

Author: Catherine E. Rigby

Publisher: N.A

ISBN: N.A

Category: German drama (Tragedy)

Page: 270

View: 7570

Quoting Death in Early Modern England

The Poetics of Epitaphs Beyond the Tomb

Author: Scott L. Newstok

Publisher: Palgrave MacMillan

ISBN: N.A

Category: Literary Criticism

Page: 228

View: 8032

"An innovative study of the emergent Renaissance practice of making epitaphic gestures within other English genres. This book argues that the post-Reformation preoccupation with textual remembrance led to a remarkable proliferation of epitaphs beyond the putative tomb. A poetics of quotation uncovers the ways in which writers have recited these texts within new contexts. This book modifies conventional genre studies by detailing the situatedness of quoted text - a compositional habit that became markedly prevalent with the continued expansion of printing and literacy in the sixteenth and seventeenth centuries."--BOOK JACKET.

Politik und Freundschaft

Gespräch über Marx und Althusser

Author: Jacques Derrida

Publisher: N.A

ISBN: 9783709201114

Category:

Page: 112

View: 8679

Institutions of the English Novel from Defoe to Scott

Author: Homer Obed Brown

Publisher: N.A

ISBN: N.A

Category: Literary Criticism

Page: 228

View: 8447

"Brown presents his theory of the novel as institutionalized and institutionalizer in a manner often as engaging as that of his privileged authors. The result is a book that takes an erudite and elelgant next step in the debate over the origins of the novel."--Nancy Armstrong, Brown University "Must-read meditations on the mystical protocols and a priori assumptions of novel studies."--Deirdre Lynch, "Novel" In Institutions of the English Novel, Homer Obed Brown takes issue with the generally accepted origin of the novel in the early eighteenth century. Brown argues that what we now call the novel did not appear as a recognized single "genre" until the early nineteenth century, when the fictional prose narratives of the preceding century were grouped together under that name. After analyzing the figurative and thematic uses of private letters and social gossip in the constitution of the novel, Brown explores what was instituted in and by the fictions of Defoe, Fielding, Sterne, and Scott, with extensive discussion of the pivotal role Scott's work played in the novel's rise to institutional status. This study is an intriguing demonstration of how these earlier narratives are involved in the development and institution of such political and cultural concepts as self, personal identity, the family, and history, all of which contributed to the later possibility of the novel. Homer Obed Brown is Professor of English at the University of California, Irvine, and the author of "James Joyce's Early Fiction: The Biography of Form." Critical Authors & Issues World Rights Literature

Shakespeare and this "imperfect" World

Dramatic Form and the Nature of Knowing

Author: Giulio Marra

Publisher: Peter Lang Pub Incorporated

ISBN: 9780820433882

Category: Literary Criticism

Page: 290

View: 5097

This study on Shakespearean theatre attempts to correlate the cognitive impulse animating the character with the ensuing dramatic form. A Shakespearean character determines the play's structure through the intrinsic need to resolve the problem he is brought up against. He does this by utilizing theatrical means, metadramatic elements, which themselves become an integral part of the concept of theatre. Any external moral framework constricting the character within traditional dramatic forms appears, therefore, to impose perspectival limits on the text. Rather, The Tempest provides the reader with intrinsic and general guidelines through the skepticism of Prospero. Through concepts of wonder and limitation he defines the boundaries of action thus determining the idea of self-knowledge. General aesthetic and philosophical problems are embedded within the texture of the play's structure.

Tragedy in transition

Author: Sarah Annes Brown

Publisher: Wiley-Blackwell

ISBN: N.A

Category: Literary Criticism

Page: 315

View: 9051

Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy. Looks at a broad range of topics in the field of tragedy in literature, from ancient to contemporary times Explores the links between writers from different times and cultures Focuses on the reception of classical texts in subsequent literatures, and discusses their treatment in a range of media Surveys the lasting influence of the most resonant narratives in tragedy Contemplates exciting and unexpected combinations of text and topic among them the relationship between tragedy and childhood, science fiction, and the role of the gods

Paragraph

The Journal of the Modern Critical Theory Group

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Art criticism

Page: N.A

View: 9531

Joyce, Bakhtin, and the literary tradition

toward a comparative cultural poetics

Author: M. Keith Booker

Publisher: Univ of Michigan Pr

ISBN: N.A

Category: Literary Criticism

Page: 273

View: 3181

Illuminates James Joyce's relationship to his literary predecessors in new and important ways.