Overcoming disabling injuries, Vietnam vet Paul Bernard becomes an award-winning journalist and television newsman known for holding a mirror to American society. Long critical of the radical right, after 9-11 Bernard attacks the Bush administration for Osama bin Laden's escape and leading the nation into a disastrous war. On assignment in Iraq, Bernard is killed under suspicious circumstances. Interwoven with the account of his life is an interview of his mentor, Professor Augustus F.X. Flynn, by a magazine writer profiling him. Frustrated by Washington's inaction, the two set out to find the truth about the killing. In Book Two, Paul Bernard has become an oil expert and a critic of America's Middle East dependency. His experiences as a correspondent in Paris and Moscow are related in this Book, his coverage of the great year 1989 in Europe, the Gulf War. Bernard's move to television news is marked by growing clashes with the radical right, culminating in his controversial stance against the Iraq War and the dramatic final events of the story.
"This is the personal account of an army infantry platoon leader and commanding officer in the Central Highlands of Vietnam during 1967 and 1968 when he was 21 years old. The author provides a historical overview and casualty report of the Vietnam War, his military and officer training, and his return to civilian life after Vietnam"--Provided by publisher.
Civil Rights and Vietnam in the African American Press
Author: Lawrence Allen Eldridge
Publisher: University of Missouri Press
Category: Social Science
During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.
More than a quarter of a century after the last Marine Corps Huey left the American embassy in Saigon, the lessons and legacies of the most divisive war in twentieth-century American history are as hotly debated as ever. Why did successive administrations choose little-known Vietnam as the "test case" of American commitment in the fight against communism? Why were the "best and brightest" apparently blind to the illegitimacy of the state of South Vietnam? Would Kennedy have pulled out had he lived? And what lessons regarding American foreign policy emerged from the war? The Columbia Guide to the Vietnam War helps readers understand this tragic and complex conflict. The book contains both interpretive information and a wealth of facts in easy-to-find form. Part I provides a lucid narrative overview of contested issues and interpretations in Vietnam scholarship. Part II is a mini-encyclopedia with descriptions and analysis of individuals, events, groups, and military operations. Arranged alphabetically, this section enables readers to look up isolated facts and specialized terms. Part III is a chronology of key events. Part IV is an annotated guide to resources, including films, documentaries, CD-ROMs, and reliable Web sites. Part V contains excerpts from historical documents and statistical data.
In the face of an uncertain and dangerous world, Americans yearn for a firm moral compass, a clear set of ethical guidelines. But as history shows, by reducing complex situations to simple cases of right or wrong we often go astray. In Morality's Muddy Waters, historian George Cotkin offers a clarion call on behalf of moral complexity. Revisiting several defining moments in the twentieth century—the American bombing of civilians during World War II, the My Lai massacre, racism in the South, capital punishment, the invasion of Iraq—Cotkin chronicles how historical figures have grappled with the problem of evil and moral responsibility—sometimes successfully, oftentimes not. In the process, he offers a wide-ranging tour of modern American history. Taken together, Cotkin maintains, these episodes reveal that the central concepts of morality—evil, empathy, and virtue—are both necessary and troubling. Without empathy, for example, we fail to inhabit the world of others; with it, we sometimes elevate individual suffering over political complexities. For Cotkin, close historical analysis may help reenergize these concepts for ethical thinking and acting. Morality's Muddy Waters argues for a moral turn in the way we study and think about history, maintaining that even when answers to ethical dilemmas prove elusive, the act of grappling with them is invaluable.
Thomas Fowler verfolgt das Kriegsgeschehen in Vietnam 1952 aus sicherer Distanz. Auf der Terrasse des berühmten Hotel Continental in Saigon lernt er den jungen Amerikaner Aldon Pyle kennen, der für eine medizinische Hilfsorganisation nach Asien gekommen ist. Fowler, der alternde Journalist, und Pyle verstehen sich gut, bis Pyle sich in dessen schöne Geliebte Phuong verliebt, die fortan zwischen den beiden Männern hin- und hergerissen ist. Als in Saigon Plastikbomben explodieren, schöpft Fowler den Verdacht, dass die Chemikalien, die Pyle ins Land schmuggelt, vielleicht doch nicht nur medizinischen Zwecken dienen. Greenes großer Roman über die wichtigen Fragen des Lebens in der neuen Übersetzung von Nikolaus Stingl.
Between 1965 and 1973, hundreds of thousands of ordinary Americans participated in one of the most remarkable and significant people's movements in American history. Through marches, rallies, draft resistance, teach-ins, civil disobedience, and non-violent demonstrations at both the national and local levels, Americans vehemently protested the country's involvement in the Vietnam War. Rethinking the American Anti-War Movement provides a short, accessible overview of this important social and political movement, highlighting key events and key figures, the movement's strengths and weaknesses, how it intersected with other social and political movements of the time, and its lasting effect on the country. The book is perfect for anyone wanting to obtain an introduction to the Anti-War movement of the twentieth century.
From the end of the 1950s through the middle of the 1960s, Amiri Baraka (b. 1934) and Edward Dorn (1929–99), two self-consciously avant-garde poets, fostered an intense friendship primarily through correspondence. The early 1960s found both poets just beginning to publish and becoming public figures. Bonding around their commitment to new and radical forms of poetry and culture, Dorn and Baraka created an interracial friendship at precisely the moment when the Civil Rights Movement was becoming a powerful force in national politics. The major premise of the Dorn-Jones friendship as developed through their letters was artistic, but the range of subjects in the correspondence shows an incredible intersection between the personal and the public, providing a schematic map of what was so vital in postwar American culture to those living through it. Their letters offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity. Reading through these correspondences allows access into personal biographies, and through these biographies, profound moments in American cultural history open themselves to us in a way not easily found in official channels of historical narrative and memory.
Das schillernde Leben der Boxlegende ganz neu erzählt Muhammad Ali – drei Mal unumstrittener Boxweltmeister – ist eine der schillerndsten Figuren des 20. Jahrhunderts, seine Geschichte verknüpft mit den großen politischen und kulturellen Konflikten seiner Zeit. Für viele ist er ein Symbol für den Kampf für Freiheit und gegen Unterdrückung. Dem Menschen hinter dieser Heldensaga sind wir jedoch nie nahe gekommen. Der Bestsellerautor und Sportlerbiograph Jonathan Eig erzählt dieses außergewöhnliche Leben auf der Basis bisher unbekannter Quellen noch einmal neu. Der »echte Ali« war Pazifist und Boxer, Muslim und treuloser Ehemann, ein Schwarzer, der zum Symbol für den Kampf gegen Rassismus aufstieg, aber seinesgleichen demütigte – ein Leben voller Brüche und Widersprüche. Mit Bildteil