Everything human beings do finishes up bad in the end. Everything good human beings ever make is built on something monstrous. Nothing lasts. We certainly won't . . . William Carlisle has the world at his feet, but its weight on his shoulders. He is intelligent, articulate and f***ed. In the library of a grammar school, William and his fellow sixth-formers are preparing for their mock A-Levels while navigating the pressures of teenage life. They are educated and aspirational young people, but step-by-step, the dislocation, disjunction and latent aggression is revealed. Punk Rock premiered at the Lyric Hammersmith on 3 September 2009 in a co-production between Lyric Hammersmith and the Royal Exchange Theatre, Manchester. It is published here as a Student Edition featuring commentary and notes by Catherine Love. The ancillary material is geared at students and considers: - an introduction outlining the play's plot, character, themes, context and performance history - the full text of the play - a chronology of the playwright's life and work - a detailed introductory analysis - extensive textual notes - questions for further study Methuen Drama Student Editions are expertly annotated texts of a wide range of plays from the modern and classic repertoires. This play includes some strong language and violent scenes.
Author: Martin Middeke,Peter Paul Schnierer,Aleks Sierz
Publisher: A&C Black
Category: Literary Criticism
The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material
Mit klarem, offenem Blick erzählt Carrie Brownstein vom Aufwachsen in einer Kleinstadtidylle, deren Fassade früh zu bröckeln beginnt, vom Leben vor, mit und nach einer der bekanntesten Punkbands der USA und von dem Versuch, sich selbst in und außerhalb der Musik zu finden.
This volume brings together contemporary plays written by artists of Korean descent living in the Americas. The plays address the complex experiences of diaspora, from matters of immigration and cultural assimilation to home and belonging. In her introduction, Esther Kim Lee outlines the critical issues addressed by the playwrights and offers context for understanding the place of drama in representing the Korean diaspora. The book will be ideal for teaching and should also appeal to a general readership interested in drama and Asian American literature.
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.
Kim Gordon, Indie-Ikone, Bassistin und Sängerin der legendären Sonic Youth, über ein Leben für die Kunst Sonic Youth war eine der einflussreichsten Alternative-Bands der 1980er- und 1990er-Jahre und Kim Gordon ihr heimlicher Star. Als Bassistin, Sängerin und Songwriterin der Band war sie Vorbild für eine ganze Generation von Frauen. Jetzt erzählt sie ihre Geschichte.Ihre Musik, die sich im Grenzland von Punk, No Wave und Noise-Rock austobte, war nicht zu überhören. Als Kim Gordon und Thurston Moore 1981 in New York die Band Sonic Youth gründeten, lag die Stadt finanziell am Boden, die Kunstszene in den Clubs aber blühte. Nirvana, Hole, Smashing Pumpkins – für diese und viele andere Bands waren Sonic Youth wichtige Wegbereiter, ihr Einfluss auf die Independent-Szene ist kaum zu überschätzen. Fans und Kritiker lieben die Band für ihren unverwechselbaren Sound und ihre absolute künstlerische Integrität. Kim Gordon und Thurston Moore galten lange Zeit als das Traumpaar des Rock’n’Roll, sie haben eine gemeinsame Tochter. 2011 trennten sich die beiden nach 27-jähriger Ehe und Sonic Youth löste sich auf. Kim Gordon erzählt in ihrem Buch von den Anfängen im New York der frühen Achtzigerjahre, von ihrem Leben als Musikerin, bildende Künstlerin, Modedesignerin und wie das zusammenging mit ihrer Rolle als Ehefrau und Mutter – und vom Schmerz einer Trennung nach fast 30 Jahren Ehe und künstlerischer Zusammenarbeit.
Producers' Choice: Six Plays for Young Performers showcases some of the best plays for young people produced by the UK's leading theatre companies. The plays are ideal for young performers aged 13-25 and offer a diverse range of challenges, styles and subjects. The volume will prove essential for teachers and students of Drama and for youth drama groups. The plays include modern reworkings of classics, such as Simon Reade's witty and brilliantly inventive adaptation of Lewis Carroll's much-loved fantasy, and DJ Britton's version of Sophocles' Theban plays, the tragic Oedipus/Antigone. Contemporary teenage issues are dealt with in Megan Barker's beautiful and uplifting Promise and Sarah May's The Butterfly Club. Simon Stephens' hit-play Punk Rock set in a grammar school explores dislocation and aggression among sixth form pupils; James Graham's Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster. Each play features production notes and the volume is introduced by Paul Roseby, Artistic Director of the National Youth Theatre. For schools, youth theatre groups and drama colleges this anthology of thematically and stylistically diverse plays will prove an invaluable resource.
'I missed first time. I could feel his skull caving in. It was like a shell.' Morning - a play for young people - is the latest offering from acclaimed playwright Simon Stephens, written after a workshop involving actors from the Young Company at the Lyric, Hammersmith and the Theater, Basel, Switzerland. It's the end of summer in a small, claustrophobic town and two friends are about to go their separate ways: one to university; the other will be staying local. But no matter what separates them, they will always share one moment: a moment that changed them forever. This dark coming-of-age play, to be performed by the Lyric Young Company, is a disturbing look at the cruel acts we are capable of committing; our society's numbness to physical pain; and the consequences of our actions. This programme text will coincide with the Lyric's production of the play at the Traverse Theatre, Edinburgh as part of the Festival (2 - 22nd September) followed by a brief run at the Lyric Hammersmith, London in September.
"You make one decision. It stays with you. It's like the consequences of it get into your bones." Set on the edges of Heathrow airport, Wastwater is an elliptical triptych - a snapshot of three different couples who make a choice that will define the fallout of their future. Harry is on the point of leaving England and Frieda knows she will never see him again. Lisa and Mark are on the point of a sexual betrayal that takes them into a place darker than they ever thought possible. Sian has a terrifying deal for Jonathan and she isn't going to take no for an answer. A reflective piece by a playwright at the height of his powers and career, Wastwater mimics the flexible and innovative form of Stephens's hit play Pornography with three overlapping, but detachable, parts which can be split and played in differing orders. The play contains Stephens's trademark combination of sensitive character depiction and tough confrontation with political choices. Wastwater is a meditative morality tale and a portrayal of modern-day relationships, formed and deformed by fatal decisions, inevitable consequences and fragile connections. This volume also contains the monologue T5, which portrays a road trip below the heart of London and follows a darkly magical flight out of the edges of the 21st century.
I'll gather my breath. I'll walk out of my room. I'll know exactly where I'm going to go. The voice in my head tells me exactly where to go. In the opulent grandeur of a European city, a renowned singer abandons the opera house for the truth of the streets. A gorgeous prostitute. A tough-talking taxi driver. A global trader. A teenage dreamer. Everyone's looking for something. Simon Stephens's strange and beautiful play re-imagines Bizet's opera Carmen and the possibility of love in a fractured urban world. Carmen Disruption received its world premiere at the Deutsche Schauspielhaus, Hamburg, in March 2014 and its UK premiere at the Almeida Theatre on 10 April 2015.
Es gibt Tage, die verändern das ganze Leben. Von neun dieser schicksalhaften Tage im Leben einer Familie erzählt Toni Jordan in ihrem preisgekrönten Roman. Alles beginnt mit dem jungen Kip, der mit seinen Geschwistern in einem heruntergekommenen Vorort von Melbourne aufwächst. An einem heißen Sommerabend trifft er die bezaubernde Annabel, eigentlich die Tanzpartnerin seines Bruders, doch an diesem Tag verlieben sie sich. Als Kip fünfzig Jahre später erfährt, dass seine Tochter Charlotte schwanger ist, weckt das in ihm Erinnerungen an einen anderen folgenreichen Tag im Leben seiner Familie: den Tod seiner geliebten Schwester. Ein unsichtbarer Faden verbindet ihr Schicksal mit dem von Charlotte, ein Faden, der erst im Geflecht der ganzen Familiengeschichte sichtbar wird. Kunstvoll führt Toni Jordan die Stränge zusammen und zeigt die verborgenen Kräfte, die eine Familie im Innersten zusammenhalten.
I was the punk. I was born punk. But she was my rock. The only one I ever had. 1976. Fran and Leni meet in a North London comp. Three years later they are The Rips. Girls with guitars, bored of playing nice. Music, sex, fishnets, tits and spitting. A two-girl escape from everything sugar and spice. Fran & Leni is punchy two-hander about punk rock and life-long friendship from the writer of the critically acclaimed Pramkicker. This edition was published to coincide with the play's production at Assembly, George Square, during the Edinburgh Festival Fringe, after its world premiere at Latitude Festival 2016.
die unzensierte Geschichte des Punk ; [erzählt von Dee Dee und Joey Ramone, Lou Reed, John Cale, Patti Smith, Debbie Harry, Malcolm McLaren, Willy DeVille, MC5, Television, Iggy Pop und vielen anderen]
Fatherland is a bold, ambitious show about contemporary fatherhood in all its complexities and contradictions. Created by Frantic Assembly's Scott Graham, Karl Hyde from Underworld and playwright Simon Stephens (Punk Rock, The Curious Incident of the Dog in the Night-Time), this daring collage of words, music and movement confronts the complexities and contradictions of contemporary fatherhood. A vivid, urgent and deeply personal portrait of 21st-century England at the crossroads of past, present and future, the play is inspired by conversations with fathers and sons from the writers' home towns in the heart of the country. Tender and tough, honest and true, Fatherland is a vital and necessary show about what we were, who we are and what we'd like to become. The world premiere of Fatherland took place at the Royal Exchange Theatre, Manchester on 5 July 2017 as part of Manchester International Festival. This is a revised version of the original text which coincides with performances in London at the Lyric Hammersmith as part of LIFT 2018.
Powell (Trinity Lutheran Seminary) presents some 1,900 entries listing and discussing Christian music artists and groups. Christian music is defined broadly, including many artists who are not thought of in specifically Christian terms, with techno artist Moby being a prime example. Entries contain
»Ich bin einer von ungezählten Millionen, die durch Nelson Mandelas Leben inspiriert wurden.« Barack Obama Eine fast drei Jahrzehnte währende Gefängnishaft ließ Nelson Mandela zum Mythos der schwarzen Befreiungsbewegung werden. Kaum ein anderer Politiker unserer Zeit symbolisiert heute in solchem Maße die Friedenshoffnungen der Menschheit und den Gedanken der Aussöhnung aller Rassen wie der ehemalige südafrikanische Präsident und Friedensnobelpreisträger. Auch nach seinem Tod finden seine ungebrochene Charakterstärke und Menschenfreundlichkeit die Bewunderung aller friedenswilligen Menschen auf der Welt. Mandelas Lebensgeschichte ist über die politische Bedeutung hinaus ein spannend zu lesendes, kenntnis- und faktenreiches Dokument menschlicher Entwicklung unter Bedingungen und Fährnissen, vor denen die meisten Menschen innerlich wie äußerlich kapituliert haben dürften.