Meanings of Art

Essays in Aesthetics

Author: Jason Holt

Publisher: N.A

ISBN: 9781927763384

Category:

Page: 208

View: 2570

The perspective unfolded and defended here is a philosophical theory of art grounded in particular understandings of the creative process, aesthetic experience, and interpretive practice. The thematic link among all of these is the concept of meaning: what it means to make art, how the meanings we attach to artworks in interpretation shape our appreciation, the nature and value of aesthetic experience, and ultimately the definition of art itself. On this view, creating art is an expressive process that, as such, may be left incomplete. Aesthetic experience is understood as a special kind of resolution of conflict between the intellect and the emotions, one resonant with a very old tradition in aesthetics as well as cutting-edge neuroaesthetics. It is because of the deep human need for such experience that this book champions the interpretive openness of artworks and pluralism when it comes to interpretive and critical practice.

The Creation of Art

New Essays in Philosophical Aesthetics

Author: Berys Gaut,Paisley Livingston

Publisher: Cambridge University Press

ISBN: 9780521812344

Category: Art

Page: 295

View: 7802

A collection of essays on creativity by a distinguished roster of philosophers of art.

Knowing Art

Essays in Aesthetics and Epistemology

Author: Matthew Kieran,Dominic McIver Lopes

Publisher: Springer Science & Business Media

ISBN: 1402052650

Category: Philosophy

Page: 167

View: 1697

Artworks potentially convey two kinds of knowledge: knowledge of art itself as well as general empirical knowledge, especially knowledge of human psychology. This book collects ten essays written by leading philosophers who distill and build upon recent work at the intersection of aesthetics and epistemology. The volume also explores the challenges that art poses for theories of knowledge as well as the challenges that artistic knowledge poses to traditional views about art.

Music, Art, and Metaphysics

Author: Jerrold Levinson

Publisher: OUP Oxford

ISBN: 9780191615788

Category: Philosophy

Page: 440

View: 4703

This is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms.

Essays in Aesthetics

Author: Jean-Paul Sartre

Publisher: Open Road Media

ISBN: 145322856X

Category: Philosophy

Page: 146

View: 8679

Renowned French philosopher Jean-Paul Sartre references artists such as Tintoretto, Calder, Lapoujade, Titian, Raphael, and Michaelangelo in discussing how great art of the past relates to the challenges of his eraEssays in Aesthetics is a provocative collection that considers the nature of art and its meaning. Sartre considers the artist’s “function,” and the relation of art and the artist to the human condition. Sartre integrates his deep concern for the sensibilities of the artist with a fascinating analysis of the techniques of the artist as creator. The result is a vibrant manifesto of existentialist aesthetics. By looking at existentialism through the lens of great art, Essays in Aesthetics is just as valuable a read to the artist as it is to the philosopher.

A History of Six Ideas

An Essay in Aesthetics

Author: W. Tatarkiewicz

Publisher: Springer Science & Business Media

ISBN: 9400988052

Category: Philosophy

Page: 400

View: 3688

The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.

Contemplating Art

Essays in Aesthetics

Author: Jerrold Levinson

Publisher: Clarendon Press

ISBN: 0191525634

Category: Philosophy

Page: 432

View: 9440

Contemplating Art is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. The book contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second and longest part of the book is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular the interpretation of literature and literary language. In the remaining parts of the book Levinson discusses aesthetic properties, issues in historical aesthetics, humour, and intrinsic value. These lively essays, rigorous but accessible, will appeal not only to philosophers but also to musicologists, literary theorists, art critics, and reflective lovers of the arts.

Aesthetics and the Literature of Ideas

Essays in Honor of A. Owen Aldridge

Author: François Jost

Publisher: University of Delaware Press

ISBN: 9780874133639

Category: Philosophy

Page: 290

View: 5706

This collection explores the aesthetic principles that pervade all sectors of human activities involving intellectual perceptiveness. The three areas of investigation are aesthetics and rationality in the realm of literary history and criticism; the genres and meanings in the metamorphosis of the arts: and aesthetics in literature, society, and politics.

Essays in Aesthetics

Author: Gärard Genette

Publisher: U of Nebraska Press

ISBN: 0803271107

Category: Literary Criticism

Page: 236

View: 4380

Over the course of the past forty years, Gärard Genette?s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France?s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver?s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with specific moments in the work of a well-known writer or artist (such as Stendhal, Proust, Manet, Pissarro, and Canaletto).øEssays in Aesthetics contains a wealth of material related to the appreciation of beauty by one of the subtlest and most original minds working in aesthetics today. Genette knows the fine arts as well as he knows literature and as a result has innovative things to say to readers in that field as well as to philosophers and literary scholars.

Language, Mind, and Art

Essays in Appreciation and Analysis, in Honor of Paul Ziff

Author: D. Jamieson

Publisher: Springer Science & Business Media

ISBN: 9401583137

Category: Philosophy

Page: 220

View: 8313

This book is a collection of essays in honor of Paul Ziff written by his col leagues, students, and friends. Many of the authors address topics that Ziff has discussed in his writings: understanding, rules and regularities, proper names, the feelings of machines, expression, and aesthetic experience. Paul Ziff began his professional career as an artist, went on to study painting with J. M. Hanson at Cornell, and then studied for the Ph. D. in philosophy, also at Cornell, with Max Black. Over the next three decades he produced a series of remarkable papers in philosophy of art, culminating in 1984 with the publica tion of Antiaesthetics: An Appreciation of the Cow with the Subtile Nose. In 1960 he published Semantic Analysis, his masterwork in philosophy of lan guage. Throughout his career he made important contributions to philosophy of mind in such papers as "The Simplicity of Other Minds" (1965) and "About Behaviourism" (1958). In addition to his work in these areas, his lec tures at Harvard on philosophy of religion are an underground classic; and throughout his career he has continued to make art and to search for the meaning of life in the properties of prime numbers. Although his interests are wide and deep, questions about language, art, and mind have dominated his philosophical work, and it is problems in these areas that provide the topics of most of the essays in this volume.

Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

Drei Studien zur Kunstsoziologie

Author: Walter Benjamin

Publisher: Suhrkamp Verlag

ISBN: 3518734059

Category: Philosophy

Page: 112

View: 8446

Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

Values of Beauty

Historical Essays in Aesthetics

Author: Paul Guyer

Publisher: Cambridge University Press

ISBN: 9780521844901

Category: Philosophy

Page: 359

View: 5385

Values of Beauty, first published in 2005, discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways.

The Pleasures of Aesthetics

Philosophical Essays

Author: Jerrold Levinson

Publisher: Cornell University Press

ISBN: 9780801482267

Category: Philosophy

Page: 312

View: 8893

From an Aesthetic Point of View

Philosophy, Art and the Senses

Author: Peter Osborne

Publisher: Serpents Tail

ISBN: N.A

Category: Art

Page: 184

View: 4333

How can we understand art ? Does the term aesthetics still have meaning? How much is the intellect involved in our appreciation of the purely visual? From an Aesthetic Point of View is a showcase of the work of several leading contemporary philosophers on the many overlapping areas between art and philosophy. It ranges from purely philosophical analysis to a look at the meaning of the work of some contemporary artists, such as Cindy Sherman.

The Beauty that Saves

Essays on Aesthetics and Language in Simone Weil

Author: Eric O. Springsted,John M. Dunaway

Publisher: Mercer University Press

ISBN: 9780865545007

Category: Language Arts & Disciplines

Page: 229

View: 5779

The Beauty That Saves, a collection of essays by many of the most prominent American and European scholars on Weil, begins with a foreword by well-known writer Vladimir Volkoff who discusses, in a very moving manner, "What Simone Weil Means to Me." An introductory essay by Eric O. Springsted highlights the general character of Weil's thought and introduces the specific problematic of this collection. The first section addresses the subject of Weil on language. A key to understanding Weil's aesthetic is grasping how she understood language and its various usages. From within that understanding is contained a point d'appui of her philosophical thought as a whole. Her universe of meaning, its hierarchies, its subjection to necessity, its mystical intimacies, is not something she simply wrote about, it is contained in the way she wrote. With Weil's language established, the second section deals with Weil's explicit reflections on aesthetics, including essays on her sacramental imagery, morality and literature, music, and her classical reading of tragedy. As these essays point out, her aesthetic demands a moral and religious reading of the universe. The third section presents a number of specific Weilan readings of art, where what has been discussed in previous essays receives concrete application and illustration through essays on Weil and Wallace Stevens, music, and Georges Bernanos.

The Oxford Handbook of Aesthetics

Author: Jerrold Levinson

Publisher: Oxford University Press

ISBN: 9780199279456

Category: Art

Page: 821

View: 1315

'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.

What is art?

Author: Hugh Mercer Curtler

Publisher: Haven Pubns

ISBN: N.A

Category: Art

Page: 220

View: 3637

New Essays on the Psychology of Art

Author: Rudolf Arnheim

Publisher: Univ of California Press

ISBN: 9780520907843

Category: Psychology

Page: 348

View: 4292

Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.

Aesthetics and the Philosophy of Art

The Analytic Tradition, An Anthology

Author: Peter Lamarque,Stein Haugom Olsen

Publisher: Wiley-Blackwell

ISBN: 1119222443

Category: Philosophy

Page: 744

View: 2342

For over fifty years, philosophers working within the broader remit of analytic philosophy have developed and refined a substantial body of work in aesthetics and the philosophy of art, curating a core foundation of scholarship which offers rigor and clarity on matters of profound and perennial interest relating to art and all forms of aesthetic appreciation. Now in its second edition and thoroughly revised, Aesthetics and the Philosophy of Art—The Analytic Tradition: An Anthology captures this legacy in a comprehensive introduction to the core philosophical questions and conversations in aesthetics. Through 57 key essays selected by leading scholars Peter Lamarque and Stein Haugom Olsen, this anthology collects modern classics as well as new contributions on essential topics such as the identification and ontology of art, interpretation, values of art, art and knowledge, and fiction and the imagination. New to this edition are selections which treat aesthetic experience more widely, including essays on the aesthetics of nature and aesthetics in everyday life. Other carefully-chosen pieces analyze the practice and experience of specific art forms in greater detail, including painting, photography, film, literature, music, and popular art such as comics. This bestselling collection is an essential resource for students and scholars of aesthetics, designed to foster a foundational understanding of both long-standing and contemporary topics in the field.