An exuberant, uniquely accessible, beautifully illustrated look inside the enigmatic art and craft of conducting, from a celebrated conductor whose international career has spanned half a century. John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice--and more than a trace of ineffable magic. He reveals how conductors approach a piece of music (a calculated combination of personal interpretation, imagination, and insight into the composer's intent); what it takes to communicate solely through gesture, with sometimes hundreds of performers at once; and the occasionally glamorous, often challenging life of the itinerant maestro. Mauceri, who worked closely with Leonard Bernstein for eighteen years, studied with Leopold Stokowski, and was on the faculty of Yale University for fifteen years, is the perfect guide to the allure and theater, passion and drudgery, rivalries and relationships of the conducting life.
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
At the height of the Serbian siege of Sarajevo, Ellen Blackman could no longer bear the televised images of wounded children desperate for medical care. So she set off for Bosnia. There she shared the tragedies and occasional triumphs of a brave people whose world was crumbling around them while a seemingly indifferent world stood by. And despite tremendous bureaucratic and dangerous obstacles, she got the children out.
Music and Maestros was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Music lovers all over the United States as well as in other countries have heard the music of the Minneapolis Symphony Orchestra under the direction of such noted conductors as Dimitri Mitropoulos and Eugene Ormandy. Now they can enjoy the story behind those concerts, records, and radio broadcasts through this intimate history of the men and music that have made the orchestra famous. The story begins with the lively musical activities of a frontier town, the antecedents of the symphony orchestra that took shape at the turn of the century. From the early years of the organization under the batons of Emil Oberhoffer and Henri Verbrugghen, the chronicle rises to the period of the great contemporaries, Ormandy, Mitropoulos, and Antal Dorati. There is a wealth of detail on the career of Mitropoulos, the renowned New York Philharmonic conductor who reached his present stature during his leadership of the Minneapolis orchestra.The extensive concert tours that have earned for the Minneapolis symphony the nickname of "orchestra on wheels" are recalled in anecdotes that will evoke many a chuckle and plenty of amazement. Accounts of early recording sessions offer fascinating sidelights on this aspect of musical history. A complete list of the works performed by the orchestra during the past fifty years provides a significant record of changing trends in musical tastes. A roster of al the players who have been members of the orchestra is given, and the reference section also includes a complete list of out-of-town engagements and a list of the orchestra's recordings which are available.
In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's Neveu de Rameau, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance.
This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.
This book demonstrates that one is capable of achieving any goals, that one sets for him/herself. I hope it will be an inspiration to others, as they journey along the pathways of life. This book summarizes the achievements, the difficulties and sometimes struggles that were encountered along the way. It speaks of anxiety, fear, anticipation, but never apathy. There were times of restlessness, working and studying until the wee hours of the morning, just to meet the class assignments. Those were used as motivation to succeed. The vagaries of the weather in the UK and its unpredictability, played a part in my planning every move and decision. That too helped me to realize the nature of things and how essential it is to prepare, if possible, for the future. It is indeed a wonderful feeling, when one is able to look back over many years on a long journey and a productive life, and feel satisfied that something of note has been left behind. I trust this book will give food for thought and be of help to others
Synopsis MAHAYK AND THE BARBER OF LYLE This literary novel is about a twelve-year-old Japanese violinist, who has lost everything when 360 B-29 bombers have burned Tokyo in 1945, becomes a Gamigaze pilot. During his mission, US Task Force 78 shot him down in Korea Strait. General Ma Halbin who survived Tragic Long March of the Red Army and fought the Japanese all his life until being fatally wounded and disabled by the Japanese attacks in Yenan, saves this enemy boy. The boy fights Korean War; becomes a commander; and exiles to America accused of plotting a coup detat.