This work examines the debt owed by Europe to the Moors for the Renaissance and the significant role played by the African in the Muslim invasions of the Iberian peninsula. While it focuses mainly on Spain and Portugal, it also examines the races and roots of the original North African before the later ethnic mix of the blackamoors and tawny Moors in the medieval period. The study ranges from the Moor in the literature of Cervantes and Shakespeare to his profound influence upon Europe's university system and the diffusion via this system of the ancient and medieval sciences. The Moors are shown to affect not only European mathematics and map-making, agriculture and architecture, but their markets, their music and their machines. The ethnicity of the Moor is re-examined, as is his unique contribution, both as creator and conduit, to the first seminal phase of the industrial revolution.
Implications for Contemporary Trans-Cultural Relations
Author: Nayef R.F. Al-Rodhan
Category: Political Science
This book takes a fascinating look at the role of the Arab-Islamic world in the rise of the West. It examines the cultural transmission of ideas and institutions in a number of key areas, including science, philosophy, humanism, law, finance, commerce, as well as the Arab-Islamic world's overall impact on the Reformation and the Renaissance.
Blacks and the Regimes of Race in American Theater and Film before World War II
Author: Cedric J. Robinson
Publisher: UNC Press Books
Category: Social Science
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
How Eurocentrisim Became An Excuse to Teach History as Myth
Author: Aylmer von Fleischer
Publisher: Aylmer von Fleischer
This book has systematically demolished many of Mary Lefkowitz's myths. This book proves that Socrates, Cleopatra, Terence, Aesop, and other ancient personalities were indeed Blacks; that Alexandria was built on the site of an ancient Egyptian city known as Rhacotis, where a town existed with its own library before the Library of Alexandria was built. This book also proves that Pythagoras, Plato and indeed many Greeks studied in Egypt. This is an important book that proves that the so-called Afrocentric claims are rooted in historical reality.
Professor Gerald G. Jackson incorporates the perceptions, ideals, hesitancies and proclamations of hte Hip-Hop and post Hip-Hop generations into the Africana Studies field. He pulls evidence from a rich tapestry of history, classroom learning exercises, student reports, scholar and professional led lectures, discussions and educational tours to create a groundbreaking multicultural and pluralistic model for the application of Africentric helping to the educational sphere. While the mode varies, the greater number of compositions compiled here are biographies of ordinary and extraordinary African Americans. Culturally affriming, introspective and expansive, We're Not Going to Take it Anymore is a rarely seen educational innovation.
"What Bynum has accomplished in pulling together such a mammoth body of knowledge and research into one cogent volume and theme is remarkable.... A contribution of this magnitude seldom comes once in a decade." -Linda James Myers, Ph.D., author of Understanding an Afrocentric World View The African Unconscious, originally published in 1999, is an Afro-centric look at human history based on archaeology, genetics, and the biospiritual roots of religion and science. Author Edward Bruce Bynum offers a captivating and controversial viewpoint on the roots of our human existence, positing that all humans at their deepest core are variations on the African template, creating a shared identity and collective unconscious in all. He looks at both phenotypical types and psychic structures that form and identify us as human beings. Ideal for humanistic and transpersonal psychologists and those interested in African American art and culture, The African Unconscious is a blend of modern and ancient psychology that provides a relevant backdrop to humanity and our daily life. "I read with awe this passionate, brilliant, epic work. It is one of the most exhaustive and revealing studies of Black and human origins I have ever seen." -Lee S. Sannella, M.D., author of The Kundalini Experience "The African Unconscious is indeed a daring work, and a unique contribution to African diasporic studies. It is a must for all students of human psychology." -Rowland O. Abiodun, author of Yoruba: Nine Centuries of African Art and Thought "The scope of the author's knowledge is simply awesome, and that, coupled with his engaging writing style, makes not for an 'easy' ready, but an adventuresome one.... For those who entertain notions of collective unconscious and deep structure racial messages, I cannot think of a better text that navigates such thinking." -William E. Cross, Jr., Ph.D., author of Shades of Black EDWARD BRUCE BYNUM, Ph.D., is a clinical psychologist, Director of the Behavioral Medicine Clinic at the University of Massachusetts Health Services, a Senior Fellow in the Society for Psychophysiology and Biofeedback (BICA), and a Diplomat (ABPP) in the American Psychological Association (APA). Dr. Bynum is the author of numerous books and articles, including five texts in psychology and three poetry books. He has won numerous awards, including the Abraham H. Maslow Award from the APA, and is a student and practitioner of Kundalini Yoga. He is married with two sons and lives with his family in Amherst, Massachusetts.
Since Antony and Cleopatra honeymooned on the Nile on a gilded barge, visitors to Egypt have taken to the river as the best way to experience the country's wonders. Early travelers took a dahabiya, an elegant triangular-sailed houseboat, and leisurely meandered from riverside site to site, for three months or more. Then from the late nineteenth century, Thomas Cook of Leicester, England, revolutionized the journey with a fleet of specially built paddle steamers. For the next sixty years these 'floating palaces, ' with their private cabins, and dining, smoking, and viewing salons, red-uniformed dragoman guides, and organized donkey excursions, carried the aristocratic, moneyed, and adventurous of international society of the timeUsing period photography, and colorful vintage posters and advertising material, this book tells the story of the people, the places, and the boats, from pioneering Nile travelers like Amelia Edwards and Lucie Duff Gordon, through to famed later passengers, such as Rudyard Kipling, Arthur Conan Doyle, and, of course, Agatha Christie, whose staging of a death on the Nile only added to the allure.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.