Hollywood icon, German dissident, lover, war heroine, distant mother, and eventual recluse. These are just some of the sobriquets attached to Marlene Dietrich. Ean Wood seeks to show the true Marlene Dietrich, the girl from Berlin who would find herself at the centre of world events, a supporter of the Allied cause and movie icon, meeting, working with and loving some of the most powerful and influential men of the 20th century.
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.
An introduction to feminist film theory as a discourse from the early seventies to the present. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory.