Dramaturgy in the Making

A User's Guide for Theatre Practitioners

Author: Katalin Trencsényi

Publisher: Bloomsbury Publishing

ISBN: 1408155672

Category: Performing Arts

Page: 352

View: 6501

Dramaturgy in the Making maps contemporary dramaturgical practices in various settings of theatre-making and dance to reveal the different ways that dramaturgs work today. It provides a thorough survey of three major areas of practice - institutional dramaturgy, production dramaturgy and dance dramaturgy - with each illustrated through a range of case studies that illuminate methodology and which will assist practitioners in developing their own 'dramaturgical toolbox'. In tracing the development of the role of the dramaturg, the author explores the contribution of Lessing, Brecht and Tynan, foundational figures who shaped the practice. She excavates the historical and theoretical contexts for each strand of the work, uniquely offering a history of dance dramaturgy and its associated theories. Based on extensive research, the volume features material from the author's interviews with fifty eminent professionals from Europe and North America, including: Robert Blacker, Jack Bradley, DD Kugler, Ruth Little and Hildegard De Vuyst. Through these, a detailed and precise insight is provided into dramaturgical processes at organisations such as the Akram Khan Company, les ballets C de la B (Gent), the National Theatre and the Royal Court (London), the SchaubÃ1⁄4hne (Berlin) and The Sundance Institute Theatre Lab (Utah), among others. Dramaturgy in the Making will prove indispensable to anyone working in theatre or wanting to better understand the dramaturgical processes in performance-making today. The book features a foreword by Geoff Proehl, author of Toward a Dramaturgical Sensibility: Landscape and Journey.

New Dramaturgy

International Perspectives on Theory and Practice

Author: Katalin Trencsényi,Bernadette Cochrane

Publisher: A&C Black

ISBN: 1408177102

Category: Performing Arts

Page: 320

View: 6873

Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.


A Revolution in Theatre

Author: Mary Luckhurst

Publisher: Cambridge University Press

ISBN: 1139448188

Category: Drama

Page: N.A

View: 1215

Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.

The Routledge Companion to Dramaturgy

Author: Magda Romanska

Publisher: Routledge

ISBN: 113512289X

Category: Performing Arts

Page: 534

View: 7837

Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).

Wir alle spielen Theater

die Selbstdarstellung im Alltag

Author: Erving Goffman

Publisher: N.A

ISBN: 9783492238915

Category: Self-presentation

Page: 251

View: 6268

Kommunikation ; Soziologie ; Psychologie ; Alltag.

Hamburgische Dramaturgie

Author: Gotthold Ephraim Lessing

Publisher: N.A


Category: German drama

Page: 610

View: 8431

Practice of Dramaturgy. Working on Actions in Performance



Publisher: Valiz/Antennae Series

ISBN: 9789492095183


Page: 308

View: 6028

There is a growing interest in the notion and practice of dramaturgy (the theory and practice of dramatic composition), which is often discussed either as the work of the dramaturg, or as the compositional or sense-making aspects of a performance. Drawing on such views, The Practice of Dramaturgyaddresses dramaturgy as a shared, politicized practice that sets actions into motion in a speculative, rather than didactic, way. The book proceeds in two parts: in the first part, the authors return to the etymology of the term “dramaturgy” (from “drama,” meaning action, and “ergon,” meaning work) in order to scrutinize the conception of dramaturgy as literally “working on actions” in relation to debates on action, work and post-Fordist labor. In the second part, guest authors suggest the different artistic, social and political perspectives that such an understanding of dramaturgy might make possible.

Singin' in the Rain

Kulturgeschichte eines Hollywood-Musical-Klassikers

Author: Joachim Brügge,Nils Grosch

Publisher: Waxmann Verlag

ISBN: 3830980094

Category: Music

Page: 168

View: 9294

Das Hollywoodmusical 'Singin' in the Rain', das Anfang der 1950er-Jahre von Betty Comden, Adolph Green und Roger Edens im Auftrag von Metro-Goldwyn-Mayer (MGM) konzipiert und 1952 unter der Regie von Stanley Donen und Gene Kelly, mit Kelly in der Hauptrolle produziert wurde, gilt heute als Klassiker, ja als einer der künstlerisch und kommerziell erfolgreichsten und paradigmatischen Vertreter seines Genres. Das Musical basiert auf musikalischem Material, das zum großen Teil - genauso wie der durchschlagende Titelsong - bereits eine Vorgeschichte sowohl auf im Film als auch in anderen medialen Formen der populären Kultur besaß. In der Bühnenversion, welche 1983 am Londoner West End ihre Erstproduktion hatte, erlebt 'Singin' in the Rain' eine bis heute rege Aufführungs- und Rezeptionsgeschichte. Das intermediale Miteinander von Songs, Kinofilm und Bühnenwerk macht 'Singin' in the Rain' mit seinen verschiedenen Werkkomplexen zu einem Schlüsselthema für eine interdisziplinäre Betrachtung des Musicals der Mitte des 20. Jahrhunderts.

How Drama Activates Learning

Contemporary Research and Practice

Author: Michael Anderson,Julie Dunn

Publisher: A&C Black

ISBN: 1441194169

Category: Education

Page: 336

View: 8901

How Drama Activates Learning: Contemporary Research and Practice draws together leaders in drama education and applied theatre from across the globe, including authors from Europe, North America and Australasia. It explores how learning can be activated when drama pedagogies and philosophies are applied across diverse contexts and for varied purposes. The areas explored include: · history · literacy, oracy and listening · health and human relationships education · science · democracy, social justice and global citizenship education · bullying and conflict management · criticality · digital technologies · additional language learning Drawing on a range of theoretical perspectives, the contributors present case studies of drama and applied theatre work in school and community settings, providing rich descriptions of practice accompanied by detailed analysis underpinned by the theoretical perspectives of key thinkers from both within and beyond the field of drama.

The Drama of Social Life

A Dramaturgical Handbook

Author: Charles Edgley

Publisher: Routledge

ISBN: 1317035259

Category: Social Science

Page: 356

View: 5612

Whatever else they may be doing, human beings are also and always expressing themselves whenever they are in the awareness of others. As such, the metaphor of life as theater - of people playing roles to audiences who review them and then coordinate further action - is an ancient idea that has been resurrected by social scientists as an organizing simile for the analysis and understanding of social life. The Drama of Social Life examines this dramaturgical approach to social life, bringing together the latest original work from leading contemporary dramaturgical thinkers across the social sciences. Thematically organized, it explores: ¢ the work of classical and contemporary thinkers who have contributed most to this theoretical framework ¢ the foundational concepts of the dramaturgical approach ¢ a rich array of substantive areas of empirical investigation to which dramaturgy continues to contribute ¢ directions for future dramaturgical thinking. An indispensable collection that updates and extends the dramaturgical framework, The Drama of Social Life will appeal to scholars and students of sociology, social psychology, performance studies, cultural studies, communication, film studies, and anthropology - and all those interested in the work of Goffman and symbolic interactionist theory and practice.

Poetik des zeitgenössischen Tanzes

(übersetzt aus dem Französischen von Frank Weigand)

Author: Laurence Louppe

Publisher: transcript Verlag

ISBN: 3839410681

Category: Performing Arts

Page: 340

View: 5613

Die »Poetik des zeitgenössischen Tanzes« gilt seit ihrem erstmaligen Erscheinen 1997 als Standardwerk der gegenwärtigen französischsprachigen Tanzforschung. Laurence Louppe verdichtet ästhetische und theoretische Elemente der Annäherung an verschiedene choreographische Entwicklungen des 20. Jahrhunderts. Als Poetik versteht sie ein Denken, das sie über das Aufkommen des zeitgenössischen Tanzes, seine Grundlagen und Lesarten entwickelt hat. Ihre Aktualität gewinnt die Untersuchung, die nun erstmals in deutscher Übersetzung vorliegt, durch den Rückgriff auf die Quellen der verschiedenen Tanzmodernen, die in ihren Fundamenten befragt werden, ebenso wie durch den spezifischen Standpunkt der Autorin, die sich - Beobachterin von und Eingebundene in die Praxis des zeitgenössischen Tanzes - ihrem Gegenstand auf außergewöhnliche Weise nähert.

Madness in the Making

The Triumphant Rise & Untimely Fall of America's Show Inventors

Author: David Lindsay

Publisher: iUniverse

ISBN: 0595347665

Category: Performing Arts

Page: 420

View: 9070

"A fascinating history of the unexpected intersection of science, technology and show business." -John Steele Gordon, author of Hamilton's Blessing "Once upon a time, American know-how flourished through show-how: spectacular demonstrations by ever resourceful technological entrepreneurs. David Lindsay brings back these glorious (and sometimes infamous) theatricals in a delightful, witty, narrative with a serious point: the American inventor, now relegated to endless rehearsals, needs to resume a rightful place on the national center stage. For admirers and critics of technology and for veteran and inspiring inventors, Madness in the Making will give pleasure and inspire debate." -Edward Tenner. Author of Why Things Bite Back

New Playwriting Strategies

A Language-Based Approach to Playwriting

Author: Paul C. Castagno

Publisher: Routledge

ISBN: 1135866465

Category: Performing Arts

Page: 192

View: 8990

New Playwriting Strategies offers a fresh and dynamic approach to playwriting that will be welcomed by teachers and aspiring playwrights alike.

Der leere Raum

Author: Peter Brook

Publisher: N.A

ISBN: 9783923854905


Page: 206

View: 5367

Dramaturgy and Performance

Author: Cathy Turner,Synne Behrndt

Publisher: Macmillan International Higher Education

ISBN: 1137561858

Category: Performing Arts

Page: 256

View: 1531

A seminal text from two leading figures in the field that introduces the concept of dramaturgy, now in a revised edition featuring a refreshed introduction and new afterword