Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.
Die Frau, die den Himmel bezwang. Aufgewachsen als Tochter eines Lords im afrikanischen Busch, interessiert sich die junge Beryl nicht für Seidenkleider und Etikette. Dafür ist sie stark und mutig wie ein Kipsigis-Junge und hat von ihrem Vater alles über Rassepferde gelernt. Doch im britischen Protektorat – dem späteren Kenia – der vorigen Jahrhundertwende ist kein Platz für solch ein ungezähmtes Mädchen. Bis sie in Karen Blixen eine Seelenverwandte findet – und in deren Geliebtem, dem Flieger und Großwildjäger Denys Finch Hutton, das Abenteuer ihres Lebens. Die Autorin des internationalen Bestsellers „Madame Hemingway“ erzählt in diesem großen Afrika-Epos die wahre Geschichte der Flugpionierin Beryl Markham, die als erste Frau den Atlantik überquerte.
The Sun is so powerful, so much bigger than us, that it is a terrifying subject. Yet though we depend on it, we take it for granted. Amazingly the first book of its kind, CHASING THE SUNis a cultural and scientific history of our relationship with the star that gives us life. Richard Cohen, applying the same mix of wide-ranging reference and intimate detail that won outstanding reviews for By the Sword, travels from the ancient Greek astronomers to modern-day solar scientists, from Stonehenge to Antarctica (site of the solar eclipse of 2003, when penguins were said to sing), Mexico's Aztecs to the Norwegian city of Tromso, where for two months of the year there is no Sun at all. He introduces us to the crucial 'sunspot cycle' in modern economics, the religious dances of Indian tribesmen, the histories of sundials and calendars, the plight of migrating birds, the latest theories of global warming, and Galileo recording his discoveries in code, for fear of persecution. And throughout, there is the rich Sun literature -- from the writings of Homer through Dante and Nietzsche to Keats, Shelley and beyond. Blindingly impressive and hugely readable, this is a tour de force of narrative non-fiction.
A child swipes her mother's ring, snatches her sister's nightgown, and runs outside to play "bride." She soon loses the ring, rips the gown, correctly assumes it's about to rain daggers, and runs away from home to find a better; family. What happens next is a summer-long journey in which Grace Townsend rides shotgun in a Plymouth Belvedere, and hunkers in the back of a rattletrap vegetable truck, crawls into a crumbling tunnel, dresses up with a prom queen, and keeps vigil in the bedroom of a molestation victim. There are reasons why Grace remembers the summer of 1956 for the rest of her life. Those are just a few. Through the eyes of a child and the mature woman she becomes, we make the journey with Grace and discover important truths about life, equality, family, and the soul-searching quest for belonging.
A rancher and the woman he wronged get a second chance at love in the final western romance in Kaki Warner’s Blood Rose Trilogy... Daisy Etheridge had to put her dreams aside when she fell in love and bore the child of a man who loved another. Now, she’s been given the opportunity to sing on a real stage and provide a better life for her daughter—but training will require money Daisy doesn't have. With nowhere else to turn Daisy heads to New Mexico Territory to ask for the help of the wealthy family of the man who abandoned her... While Jack Wilkins never wanted to work his family’s ranch, a devotion to a childhood love has brought him back home to win her one last time. But when Daisy appears with a baby who has eyes like his own, Jack gets caught between his feelings for his old flame and his new role as a father. Jack offers to marry Daisy—though she’s wary of a man whose head and heart are prone to wanderlust. But when the ranch is threatened and the Wilkins family is strained to the breaking point, Jack and Daisy must choose what they want out of their lives—and out of each other...
1922, Tokyo. Harry Niles is a 'wild child', an American boy in a strange country, ignored by his missionary parents, he begins to lead his life in the Tokyo underworld. One night, he is charged with delivering a painting to an enigmatic figure, the samurai Ishigami. It is an encounter that will haunt Harry Niles forever... 1937, Nanking. China is under attack. The Japanese army is brutally and systematically murdering and raping the local population. In the midst of this horror, Harry finds himself face to face once again with Lieutenant Ishigami. But for the samurai warrior, their meeting leads to the greatest possible dishonour - public humiliation. 1941, Tokyo. With the attack on Pearl Harbour only days away, Japan is on the brink of war with the United States. Harry Niles has become a man of many faces. Allying himself with both sides, he treads a dangerous - but profitable - path between the fading glory of the Chrysantheum Club, where the city's banking and industrial elite meet, and the shadowy Tokyo underworld.
Meg Harris believes are fishermen to the isolated northern lake she lives on. Within hours, she discovers that these men have come to develop a gold mine. She combines forces with Eric Odjik, chief of the neighbouring Migiskan reserve, to fight the mining company.
An Indian woman with a China craze, a Chinese monk with an Indian obsession; we had the same schizophrenia, the monk and I. It seemed logical to take the same road.' In the seventh century AD, the Chinese monk Xuanzang (earlier spelt as Hiuen Tsang or Hsuan Tsang) set off on an epic journey to India to study Buddhist philosophy from the Indian masters. Travelling along the Silk Road, through the desolate wastes of the Gobi desert and the icy passes of Central Asia, braving brigands and blizzards, Xuanzang finally reached India, where his spiritual quest took him to Buddhist holy places and monasteries throughout the subcontinent. By the time he returned to China eighteen years later, carrying with him nearly 600 scriptures which he translated from Sanskrit into Chinese, Xuanzang had covered an astonishing 10,000 miles. He also left a detailed record of his journey, which remains a valuable source of historical information on the regions he traversed. Fourteen hundred years later, Mishi Saran follows in Xuanzang's footsteps to the fabled oasis cities of China and Central Asia, and the Buddhist sites and now-vanished kingdoms in India, Pakistan and Afghanistan that Xuanzang wrote about. Travelling seamlessly back and forth in time between the seventh century and the twenty-first, Saran uncovers the past with consummate skill even as she brings alive the present through her vivid and engaging descriptions of people and places. Her gripping chronicle includes an extraordinary eyewitness account of Kabul under the Taliban regime, just one month before 9/11. Running parallel to the account of her travels is the moving story of the author's inner journey towards a new understanding of her roots and her identity. With its riveting mix of lively reportage, high adventure, historical inquiry and personal memoir, this delightfully written book is a path-breaking travelogue.
Der neue Spannungsroman von Paula Hawkins nach dem internationalen Nr.-1-Bestseller Girl on the Train. »Julia, ich bin’s. Du musst mich anrufen. Bitte, Julia. Es ist wichtig ...« In den letzten Tagen vor ihrem Tod rief Nel Abbott ihre Schwester an. Julia nahm nicht ab, ignorierte den Hilferuf. Jetzt ist Nel tot. Sie sei gesprungen, heißt es. Julia kehrt nach Beckford zurück, um sich um ihre Nichte zu kümmern. Doch sie hat Angst. Angst vor diesem Ort, an den sie niemals zurückkehren wollte. Vor lang begrabenen Erinnerungen, vor dem alten Haus am Fluss, vor der Gewissheit, dass Nel niemals gesprungen wäre. Und am meisten fürchtet Julia das Wasser und den Ort, den sie Drowning Pool nennen ...
„Einer der bedeutendsten Autoren der amerikanischen Nachkriegsliteratur.“ Paul Ingendaay, F.A.Z. Ralph Ellison ist neben Toni Morrison und James Baldwin eine der großen Stimmen des afroamerikanischen Romans der Gegenwart. Sein Meisterwerk zeugt von künstlerischer Kraft und ist hochaktuell – als schonungslose Abrechnung mit den alltäglichen rassistischen Ideologien und Verhaltensweisen und als Lob auf das gewachsene Selbstbewusstsein der noch immer um ihre selbstverständlichen Rechte Kämpfenden: Der namenlose Ich-Erzähler verliert sein Stipendium, weil er einem Förderer des von Weißen eingerichteten Südstaaten-Colleges für Schwarze nicht die gewünschte Kulisse, sondern die Realität der Farbigen vor Augen führt. Er muss sein Glück dort suchen, wo es Arbeit gibt, und landet in Harlem, einem brodelnden Hexenkessel, inmitten von schwarzem Glamour und Blue Notes, Swing und Spirituals, politischen Aufwieglern, gerissenen Gaunern und verlorenen Spinnern.
Anne Boleyn - Balladen werden über ihre Schönheit gesungen, über ihre Augen, ihren Körper. Doch Jean Rombaud ist gekommen, um die englische Königin hinzurichten. Auf dem Schafott nimmt sie ihrem französischen Henker einen letzten Schwur ab - und schickt Rombaud auf die gefahrvollste Mission seines Leben. In den Wirren des 16. Jahrhunderts begibt sich der tapfere Scharfrichter auf eine abenteuerliche Odyssee quer durch Europa, die Freundschaft und Liebe, aber auch Schmerzen und Verrat für ihn bereit hält. >Mit einer außerordentlich bravourösen Sprachkraft gelingt es Humphreys, eine atemberaubende Lese-Atmosphäre zu entwickeln, die sich nicht zuletzt aus dem fundierten und breiten Geschichtswissen des Autors speist.