With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide. Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.
In 1995, David W. McFadden published An Innocent in Ireland: Curious Rambles and Singular Encounters, a quirky and affectionate account of his travels around Ireland. In undertaking the trip, he chose as his guide H. V. Morton, the prolific travel writer of the 1920s and 1930s, whose In Search of Ireland (part of Morton’s famous In Search of... series) had been familiar to him since childhood. Now, setting out to explore Scotland, his family’s ancestral home, McFadden plans to use the same technique: to follow Morton’s route around the country, observing how things have changed and in what ways they remain the same. As in An Innocent in Ireland, however, his own inquiring mind and engaging personality take over, and Morton appears less and less as McFadden becomes increasingly absorbed by the landscape – and particularly by the people. Starting in the Lowlands, he travels through Burns country (examining verses that Burns is alleged to have inscribed on a Dumfries window with his diamond ring) and up the east coast to the Highlands. There he lingers by Loch Ness (spotting nothing but tourists), before heading over to the west coast and falling in love with it – particularly with the islands of Mull and Iona. Through the entire trip, McFadden charts an erratic course, led only by H. V. Morton and his own acute eye and very lively curiosity. As he does so, he records his extremely personal impressions, which are wry, amused – and often more astute than he lets on. The reader won’t find many of the traditional Scottish tourist sites in this account. Rather, as in An Innocent in Ireland, McFadden loves a good chat, and he wisely lets the many characters he meets speak for themselves. He gives generous attention to a variety of talkative barmen, hoteliers, shopkeepers, as well as to passersby that he encounters in the course of his travels. Their conversations, ranging from the instructive or humorous to the eccentric and even surreal, give a thoroughly entertaining view of a Scotland the guidebooks never reveal. Still quirky, affectionate, always ready to be intrigued or amused, David McFadden makes an ideal companion for any armchair traveller.
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field. Widely praised for its interdisciplinary approach and trenchant analysis of an array of topics, each volume features the best scholarship in the humanities and social sciences. Cuban Studies 37 includes articles on environmental law, economics, African influence in music, irreverent humor in postrevolutionary fiction, international education flow between the United States and Cuba, and poetry, among others. Beginning with volume 34 (2003), the publication is available electronically through Project MUSE®, an award-winning online database of full-text scholarly journals. More information can be found at http://muse.jhu.edu/publishers/pitt_press/.