“A flower is not a flower alone; a thousand thoughts invest it.” Daffodils signal new beginnings, daisies innocence. Lilacs mean the first emotions of love, periwinkles tender recollection. Early Victorians used flowers as a way to express their feelings—love or grief, jealousy or devotion. Now, modern-day romantics are enjoying a resurgence of this bygone custom, and this book will share the historical, literary, and cultural significance of flowers with a whole new generation. With lavish illustrations, a dual dictionary of flora and meanings, and suggestions for creating expressive arrangements, this keepsake is the perfect compendium for everyone who has ever given or received a bouquet. From the Hardcover edition.
Do you know what you're saying when you give the gift of flowers or plants? What's the difference between a red rose & a white one? Why shouldn't you give your spouse a yellow carnation or a pumpkin flower? The answers to these questions lie in the traditional meaning of plants. Even fruits & vegetables have meanings - potato for beneficence, raspberry for apology - & all of them are historically documented in this book. You'll learn how to be cold & cruel or warm & caring just by choosing different plants for a bouquet. Ms. Gips has spent twenty years researching the historical meaning associated with plants. This updated, expanded version of her previous book contains authentic meanings for more than 700 plants, including 40 rose forms. Anyone - lay or professional - who designs theme gardens, floral arrangements, wreaths or any kind of herbal or floral gift will find this one-of-a-kind book an indispensable reference. Authentic Victorian illustrations with color plates of tussie mussies. Dictionary format, includes index. Order from: Village Herb Shop, 26 South Main St., Chagrin Falls, OH 44022. 800-836-9120. Trade discount.
Inspired from the language of flowers from the Victorian era, the Language of Flowers Dictionary gives a brief blast from the past and a full list of flower meanings ranging from A to Z. The list contains meanings that are commonly found with the flower, but remember, no meaning is definite.
A beautiful gift book celebrating the forgotten language of flowers. "A flower is not a flower alone; A thousand thoughts invest it"All over the world, flowers are an integral part of human culture whether it is the perfect table centre for a wedding, a beautiful bouquet for a birthday, a message of thanks, or to pay one's respect at a funeral. But, while everyone knows that red roses signify love, few may realise that an entire language of flowers exists with every bloom, folliage and plant having a particular emotion attached, be it hazel for reconcilliation, wisteria for welcome or ivy for fidelity. This unique language was created by the romantic early Victorians who carefully planned every bouquet and posy so as to deliver a desired message. Bringing the language to a new generation, this beautifully illustrated miscellany contains fifty profiled flowers, a dictionary searchable by emotion, and ideas for creating bouquets and arrangements for specific occasions. This gift book is a novel present that any flower lover will want to own.
The Language of Flowers by Vanessa Diffenbaugh is a moving story of hope and forgiveness, and an international bestseller. The Victorians used flowers to express emotions: honeysuckle for devotion, azaleas for passion, and red roses for love. For Victoria Jones, flowers and their meanings are her only connection to the world – although for her, they are most useful in expressing feelings such as grief, mistrust and solitude. After a childhood in the foster care system, Victoria – now eighteen – has nowhere to go, and sleeps in a public park, where she plants a small garden of her own. When her talent is discovered by a local florist, she discovers her gift for helping others through the flowers she chooses for them. But it takes a meeting with a mysterious vendor at the flower market for her to realize what's been missing in her own life. As she starts to fall for him, though, she must confront a painful secret from her past – and decide whether it's worth risking everything for a second chance at happiness.
The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that plants are animate, living beings and attributed them sensation, movement, and a certain degree of mental activity, emphasizing the continuity between humankind and plant existence. Two centuries later, the understanding of plants as active and communicative organisms has reemerged in such diverse fields as plant neurobiology, philosophical posthumanism, and ecocriticism. The Language of Plants brings together groundbreaking essays from across the disciplines to foster a dialogue between the biological sciences and the humanities and to reconsider our relation to the vegetal world in new ethical and political terms. Viewing plants as sophisticated information-processing organisms with complex communication strategies (they can sense and respond to environmental cues and play an active role in their own survival and reproduction through chemical languages) radically transforms our notion of plants as unresponsive beings, ready to be instrumentally appropriated. By providing multifaceted understandings of plants, informed by the latest developments in evolutionary ecology, the philosophy of biology, and ecocritical theory, The Language of Plants promotes the freedom of imagination necessary for a new ecological awareness and more sustainable interactions with diverse life forms. Contributors: Joni Adamson, Arizona State U; Nancy E. Baker, Sarah Lawrence College; Karen L. F. Houle, U of Guelph; Luce Irigaray, Centre National de la Recherche Scientifique, Paris; Erin James, U of Idaho; Richard Karban, U of California at Davis; André Kessler, Cornell U; Isabel Kranz, U of Vienna; Michael Marder, U of the Basque Country (UPV-EHU); Timothy Morton, Rice U; Christian Nansen, U of California at Davis; Robert A. Raguso, Cornell U; Catriona Sandilands, York U.
The author traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures. Seaton shows that the language of flowers was not a single and universally understood correlation of flowers to meanings that men and women used to communicate in matters of love and romance. The language differs from book to book, country to country. To place the language of flowers in social and literary perspective, the author examines the nineteenth-century uses of flowers in everyday life and in ceremonies and rituals and provides a brief history of floral symbolism. She also discusses the sentimental flower book, a genre especially intended for female readers. Two especially valuable features of the book are its table of correlations of flowers and their meanings from different sourcebooks and its complete bibliography of language of flower titles. This book will appeal not only to scholars in Victorian studies and women's studies but also to art historians, book collectors, museum curators, historians of horticulture, and anyone interested in nineteenth-century popular culture.
Tussie-Mussies reacquaints readers with the complex and delightful language of flowers, and the art of making them speak through Victorian "talking bouquets" called tussie-mussies. Now Tussie-Mussies is available in a stunning paperback edition. A celebration of craft, lore, and language, Tussie-Mussies is a full-color guide to tussie-mussies, how to make them, and how the symbolic meanings of flowers and herbs have developed over the centuries. Roses that are red mean only one thing-Love-while a yellow rose may range from Friendship to Jealousy. Daisies are for Innocence, ivy for Fidelity, rosemary for Remembrance. Then comes the delightful task of arranging individual flowers and herbs together to compose a specific message to a friend or loved one. A floral poet, Geraldine Laufer shows how to make 60 bouquets-tussie-mussies to declare Ardent Love, say Happy Birthday, celebrate a Newborn, mark an Anniversary, honor a Mentor, admit an Infatuation, or even announce a Bitter Rivalry. Indeed, any sentiment can be crafted with a few blooms, woolen yarn, and scissors.